Rose Madder Book Review

Well, ladies and gentlemen: I just read my very first Stephen King novel. You probably think it would be something like It, The Shining, or Carrie, but nope! It was his 1995 book Rose Madder. Fans and even King himself regard it as one of his weaker novels, but I thought it was pretty good despite its shortcomings.

Rose Madder is about Rosie Daniels – a woman who has spent 14 years in a highly abusive marriage. After a drop of blood makes her realize that her husband is going to kill her, Rosie leaves with his credit card. She travels to a town 800 miles away to begin a new life. While there, she meets Bill Steiner and comes across an odd painting at a pawn shop. However, she continues to look over her shoulder. Her husband Norman – a corrupt cop and detective – tries to track her down any way possible.

Essentially, it’s Snow White. Rosie is the title character. Norman is the Evil Queen. The drop of blood is the Huntsman, and the women that Rosie encounters at the Daughters and Sisters shelter in the new town are the dwarves. Oh, and Bill Steiner is the prince.

Normally, I don’t do scary things, but keeping the Snow-White narrative made things easier to deal with while reading it. I really enjoyed the parts, in which Rosie finds the strength to live her own life, to fall in love again, and to fight back Norman.

I also was surprised that King could write fully realized female characters. Rosie is not just a damsel in distress. She made the decision to leave Norman after seeing the drop of blood on her mattress. King makes sure to detail how Rosie grows from being timid to being confident in leaving her past behind with all of its trials and tribulations. For example, when she and Bill argue about which house to move to, she has trouble controlling her temper and comes extremely close to becoming Norman. Now, some people have complained about Rosie ending up with another man, instead of being an independent woman. Honestly, I didn’t mind this because Rosie still wanted to be a wife and a mother, even after her experiences with Norman.

In addition, King wrote supporting female characters well like Anna Stevenson and Gert Kinshaw. Anna Stevenson is the head of the Daughters and Sisters shelter, (therefore she’s Doc). She is no-nonsense, but highly understanding of Rosie’s situation, and her ex-husband Peter even helps her out by sending abused women to the sanctuary. Her parents started the shelter to protect and help battered women rebuild their lives, and Anna wanted to continue that legacy. Then, there is Gert. Gert is a black full-figured woman, who teaches mixed martial arts at the shelter to help women restore their confidence. From what I have read, King tends to be fatphobic in his writing, but Gert is refreshing. She is plump and competent. She even pees on Norman when she spots him at a picnic that Rosie is supposed to be at. What also helps is that the mixed martial arts are shown to have limits. Gert fights Norman while confidently using her abilities, but despite her efforts, Norman gets away. However, don’t expect all other black characters to have that kind of character development. The other speaking black person is essentially a servant to the white woman in the painting and a magical Negro. After reading this book, I’m going to put King on my list of male authors who write fictional female characters well, which currently only has Chris Bohjalian.

Now, let’s move onto novel’s flaws. First, let’s talk about the painting. In the middle of the book, Rosie comes across an oil painting of a woman wearing a rose madder (haha get it?) toga-like garment standing on a hill looking at a temple. She ends up buying the painting, yet later on, she notices that the picture keeps changing and even discovers dead crickets when she slices open the back. Then, she finds herself in the painting, not once, but twice! I get that King wanted to King-ify the book because maybe he wasn’t satisfied with the story solely being a serious drama. The lady in the rose madder chiton can be seen as a fairy godmother, for whenever Rosie is in a vulnerable place, she imagines her, and poof, she’s empowered. At the same time, a lot of reviewers have pointed out that it’s a sudden change of tone, and that it doesn’t develop naturally. While those are valid critiques, my main issue is that King spends too much time on it, especially when Rosie ends up in the painting the first time and is instructed to find Rose Madder’s baby. It’s like King was getting paid by the page and wanted to top himself for the sake of topping himself. I have a similar problem with the novel ending a couple of times, but at least, what occurred there was more necessary than what happened in the painting.

My main problem with the novel is Norman himself. Now, I have read books that feature very intense and abusive antagonists, yet they are usually portrayed objectively. What makes Norman Daniels stand out from this group is that he is the most irredeemable. Not only is he abusive and corrupt, he is sexist, racist, homophobic, and most of all, a murderer. The first scene of the book depicts Rosie’s miscarriage, which occurred after he punched her in the stomach, and it gets worse from there. His crimes range from busting a guy’s balls during interrogation to biting people to death, including some of the dwarves, uh I mean ladies from Daughters and Sisters. Norman’s actions make him less human as the book progresses. Heck, even Schlegal – the cartoon villain from The Paris Architect – would not have gone that far to torture Jewish people and those who try to hide them, (and we’re talking about a guy who wanted to cut people’s fingers off as an intimidation tactic). A novel allows people to look into the minds of every character, no matter how unlikeable they are. It’s not that King didn’t want readers to know what Norman was thinking. They get a lot of that since the book is told through both his and Rosie’s perspectives. The problem is that his soul is so full of vile that it makes him barely human and beatable. When I read the Norman’s passages, I felt angry and stressed because I knew that he was going to do something horrible and get away with it. The only good part about Norman is that he dies after a spider bites him to death, while he’s in the painting trying to track down Rosie and Bill.

(*breathes)

In the meantime, I listened to the audiobook, and the performances and the music really enhance the story. Blair Brown – an actress who has appeared on stage and in film and television shows like Fringe and Orange is the New Black – voices Rosie, and she does a great job. In the new town, Rosie is hired as an audiobook narrator since her voice is soft, silky, and dynamic. Brown projects this very well along with other emotions like the fear of being tracked down by Norman and the self-confidence that Rosie slowly develops. It helps that she has recorded a variety of audiobooks ranging from Number the Stars by Lois Lowry to City of Girls by Elizabeth Gilbert, and it pays off. King himself plays Norman. Some people might get distracted with his nasally voice, but for me, that tone made the character all the more infuriating, which is I’m sure what King wanted. The best part of the audiobook was the music. I have heard musical interludes in audiobooks before, yet Rose Madder utilizes this the best. Between passages and perspectives, various melodies would play in the background. For example, a hopeful and romantic piano phrase will come on when Rosie gets closer to Bill. My personal favorite is the lurky and slimy synthesizer and hard guitar riffs that play when the novel transitions into and out of Norman’s passages. I wouldn’t be surprised if John Carpenter came in just to compose those bits. Despite the issues that I have with the book, I would recommend the audiobook, so one can appreciate how the music was used like I have.

Overall, Rose Madder by Stephen King was fairly good. Despite the critiques with painting and Norman, King is clearly capable of writing from a battered woman’s perspective as well as from those of other female characters too. I also really respect the creativity that went into making the audiobook to enrich the story. And, these are all coming from a person who normally doesn’t read scary stuff. Along with getting the audiobook, I would also recommend the novel to those who like horror, stories about overcoming domestic abuse, and especially to Stephen King fans who haven’t read it yet or haven’t read it in a while. Warning: the book might give one nightmares.

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Book Reviews From the Vault: Uncredible Thoughts – Essays, Spiels, and Poppycock

This review of Uncredible Thoughts: Essays, Spiels, and Poppycock by John Marszalkowski is the last one that I have under the From the Vault series. It was a great time showing all of you the reviews that I wrote before developing this website. However, when one chapter ends, another begins, and I will have a new series starting up very soon, so stay tuned!

Full disclosure: I was given an ARC of this book in exchange for an honest review.

There are certain writers who are comfortable creating stories in only one genre or format. This is typically not a problem as long as they are able to expand their horizons or diversify what they tackle within said genre. John Marszalkowski skillfully expands his thoughts within the informal-essay format with his second official book Uncredible Thoughts: Essays, Spiels, and Poppycock.

In Uncredible Thoughts: Essays, Spiels, and Poppycock, John Marszalkowski rants about his life and opinions (even if he is not credible on every topic) in the informal-essay format that is just as cohesive and self-assuredas his previous book How to Punch Kids in Bathrooms. However, it does not have the same element of surprise like Buy My Book, Not Because You Should, But Because I’d Like Some Money, yet this is not the first John Marszalkowski-penned book that I have ever read. I know that he is going to rant about something, but I never know what and how. When I do find out, it always puts a smile on my face. It is like that one friend who always has something to say, but one does not know what they will discuss and how.

Some of my favorite parts are the titles and the illustrations. For the titles, Marsalkowski uses names like “White History Month Should Not Exist,” “Your Unhappiness is Stupid; Time for a Nap,” and “Everyone is a Feminist Until Proven Jerks.” These intrigued me as chapter titles should, and they accurately describe their content. The illustrations used at the beginning of each chapter were also funny and cute. In the chapter about skunks, the drawing depicts Marszalkowski in cartoon form with an adorable-looking skunk in what appears to be a dumpster. My favorite image was within the chapter entitled “My First Attempt at Fiction,” which shows Adderall covered in a Smarties-like wrapping paper.

Speaking of Marszalkowski’s attempts at writing fiction, he does this a few times throughout the book. They are admirable efforts, especially the story about a teenage boy named Rad who tries to talk to a girl whom he likes. I also loved his attempt at writing a 50,000-word book in one month, and how he expresses his frustrations in diary form. This sets the tone for the book to be intentionally full of short chapters that permits his ramblings, and that one can read out of order if they want to.

And if one was wondering, “Hey Emily, does John have any worksheets like he did in Buy My Book, Not Because You Should, But Because I’d Like Some Money?”

Yes reader, he does. In fact, he has three! They appear in the chapters, “Math Class Could Have Been More Fun,” “Assholes, And The Rest,” and “Everyone is a Feminist Until Proven Jerks.” They were just as engaging as the ones featured in his first book. 

Marszalkowski also demonstrates his sincerity in honest and funny ways. Christy Hall Watson does the foreword and talks about how he would make her feel comfortable whenever he was filming her slam story events. According to her, he even got pizza for everybody working that night, refused to take any money, and chatted about random stuff with her and anybody who happened to be in the green room. This made me like him even more. Additionally, Marszalkowski has a dedication page to his still living brother as an apology for not mentioning him in his first book.

Overall, Uncredible Thoughts: Essays, Spiels, and Poppycock is a good book that expands upon the brand of the one John Marszalkowski. Like with Buy My Book, it may not be for everyone, yet it is more palatable than the prior book. If anything, I would recommend this book to readers who are looking to get into his work. It is something not quite completely different from his previous books, yet it is still unique enough to a person not familiar with his past work.

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The Hate U Give Book Review

In this day in age, race relations are undergoing rapid change. It has gotten to a point where people are reevaluating what progress has been made since the Civil Rights Movement and how far we need to go in order to truly achieve racial equality. Since the Black Lives Matter protests started in May, people have been reading mainly nonfiction books about racial prejudice in America in order to open their eyes to the discrimination that black people face on a daily basis. I went in a slightly different direction. Sure, I have read materials and watched informative videos on white privilege, police brutality, and how racist current laws are in this county, but I decided to read The Hate U Give by Angie Thomas. As I mentioned in my The Tea Girl of Hummingbird Lane review, fiction allows writers to create stories that are based around certain facts, and they permit readers to take a look at how the people involved feel. Because I am white, I don’t think I will fully know how black people in this country live despite its inherently racist foundation, but I want to at least feel empathy for what they go through, and this is what The Hate U Give effectively provides.

The Hate U Give centers around Starr Carter – a 16-year-old who lives in a poor black neighborhood but goes to a fancy suburban prep school. She has to maintain the balance between these worlds until one day, her childhood best friend Khalil is fatally shot at the hands of a police officer. Khalil was unarmed. Soon after, his death becomes a national headline, with some people thinking that he was a thug and even a drug dealer. Even one of Starr’s white friends thinks that he had it coming. When it becomes clear that the police have little interest in investigating the situation, protests break out, and her neighborhood turns into a war zone. The only person who knows what truly happened is Starr, but revealing the truth could destroy her community and even endanger her life.

Very recently, I read a Time 100 Talks interview with the author that contained how she believed that the book and ones similar to it helps empower young voices to stand up for justice (https://time.com/5875827/author-angie-thomas-time-100-talks/), and I couldn’t be happier. She mentioned that the key is diverse storytelling, as in one has to create “mirrors, windows, and sliding glass doors,” so people can not only see themselves, but also others not like them to build empathy.

When it comes to building empathy, Thomas is a true expert. Throughout the book, Starr wants to speak out about what happened in regards to Khalil’s death, but a lot of circumstances hold her back like a rival gang harming her family for snitching, the possibility of her white friends being insensitive, and other police officers not taking her seriously and assuming other things about her friend. With clear context like these, it will make readers stop and think before they accuse Starr of not speaking up sooner. In addition, other characters, both main and supporting, are relatable in one way or another. For instance, Starr’s dad Maverick is a former gang member who is completely devoted to his children. He protects them from harm because he was in prison for a few years. As a result, he missed out on some important milestones, so now, he wants to be in their lives as much as possible. This explains why Thomas wrote a book about his life with Concrete Rose, which will be released in January. However, he has preconceived notions about white people, which prevents Starr from telling him about her white boyfriend Chris for about a year. Eventually, they meet, and he even teaches Chris how to box. Even the white officer who shot Khalil is given empathy as the news mentions that he has a family and was scared for his life when he pulled the trigger (despite that none of the black characters buy this explanation).

Like with Turtles All the Way Down, it also helps that the topic of police brutality is treated in both a palatable and non-sugarcoated manner. In the beginning, readers witness the crime through Starr’s eyes. Her frustrations with people not listening to the truth or taking it seriously are given weight. The protests are seen as both justified and non-justified. It goes into the latter when they are ransacking businesses, which worries the family as Maverick owns a grocery store in their neighborhood.

All in all, The Hate U Give by Angie Thomas is a powerful book that can appeal to everyone regardless of age and race. This has been mentioned before by other reviewers, but it is worth mentioning again: the way that the book creates empathy for all is top notch. It also makes the situation very realistic. So, if you haven’t read the book, do so soon! It can help empower people to stand up for justice.

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