What Am I Reading – Chapter Forty-One

Hi Everybody,

I hope all of you had a great Thanksgiving! I sure did with family and friends as we yelled at the Lions and cheered on the Wolverines! Because I did so much, I haven’t had much time to read, yet I finished The Book Woman of Troublesome Creek by Kim Michele Richardson today.

However, I did start a new book fairly recently, and I would like to share it with all of you today.

The Underground Railroad by Colson Whitehead is a unique take on the famous network used by slaves in the early- to mid-19th century to obtain freedom. Cora is a slave on a cotton plantation in Georgia. Life is terrible there, but even more so for Cora since she’s considered to be an outcast by other Africans. Additionally, she’s coming into womanhood, where greater pains are to come. When Caesar arrives on the plantation from Virginia, he tells her about the Underground Railroad – a secret network of tracks and tunnels that engineers and conductors operate beneath the Southern soil. They decide to take the risk and leave. Things don’t go as planned since Cora kills a white boy as he tries to capture her. In addition, they travel to South Carolina – a state that may not be as friendly to black people as it seems. And finally, they are chased by Ridgeway – a relentless slave catcher. Nonetheless, Cora still embarks on the literal railroad to freedom.

I’m only about 50 pages in, and even though I’m having a hard time getting into it, I find it interesting so far. I’m in where the book explains Cora’s backstory in great detail. She became an outcast among her own peers through a combination of what her mother had done and what she had to do to ward off people from getting her land on the plantation. This is all to explain why she decides to escape. Because of this exposition, it’s pretty slow. That’s why I’m having a hard time being invested in the story thus far. I hope that will change once Cora and Caesar travel through the literal Underground Railroad.

We have now come to the end of the forty-first chapter of “What Am I Reading?”

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Firekeeper’s Daughter Book Review

Content warning: This review contains brief discussions on drugs and sexual assault.

A long time ago, I mentioned about the success of Where the Crawdads Sing and if the hype was worth it. With that book, I was mixed despite the praises coming from everywhere (but I still gave it 4 stars). Since 2018, plenty of popular books have come out and received not only glowing reviews, but lots of accolades. One of them was Firekeeper’s Daughter by Angeline Boulley, which was published in 2021. I saw that book on nearly every best list whether it was best titles by Native American authors, best YA novels, or best books of 2021. By the time I finished reading it, I understood the hype, and reader, it was worth it for a variety of reasons.

Firekeeper’s Daughter revolves around a teenager going undercover to help with a criminal investigation. Daunis Fontaine is a biracial, unenrolled tribal member and the product of a scandal. She feels like she could never quite fit in both in her hometown and on the near Ojibwe reservation. She dreams of studying medicine, but when her family is struck by tragedy, she puts her future on hold to care for her fragile mother. Then comes Jamie. Jamie is a charming new recruit for her brother Levi’s hockey team. As she falls for him, Daunis realizes that some things don’t add up and that he’s hiding something. Everything comes to light when she witnesses a murder, which thrusts her into the heart of a criminal investigation. Reluctantly, she agrees to go undercover. At the same time, she conducts her own investigation, utilizing her knowledge of chemistry and traditional medicine to track down the criminals. But the deceptions—and deaths—keep piling up and soon the threat strikes too close to home. Now, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go to protect her community, even if it tears apart the only world she’s ever known.

Before I go into my initial thoughts about Firekeeper’s Daughter, I want to say that I’ve been looking forward to reading it for a very long time. Its accolades go without saying, and I knew a lot of people who read and loved it. So why read it now? Well reader, back in March, I attended Spring Institute – a conference for youth librarians in the state of Michigan, and Angeline Boulley was a keynote speaker there. She was funny and wonderful to talk to. I even got a photo with her! In other words, she was the catalyst for me to FINALLY read Firekeeper’s Daughter!

I love how the book takes its time to establish its setting and most importantly its characters. Boulley’s descriptions of the various locations in Sault Ste. Marie, Michigan and on Sugar Island were clear and precise that I could imagine them right away. They also make me want to go to those places some day.

In addition, I really got the sense of who Daunis is and her relationships within the first 50 pages. She’s a science nerd who’s going through some recent trauma with her uncle’s sudden death. It doesn’t help that she feels that she doesn’t truly belong with either her white or native relatives. Establishing her character makes readers understand why she does the things she does even if some of her actions can come off as irrational. It also makes us root for her, especially when bad things happen to her like when one of hockey player’s dads rapes her in a hotel room.

Moreover, other characters feel very real too. Granted, there are lot of them, yet I had no trouble keeping track of them. I really like Lily – Daunis’s best friend. She is sex-crazy teenager who puts Daunis in her place, especially when the latter gets too science-y. She also has an on-again, off-again relationship with a guy named Travis who went to school with them. I won’t reveal the conclusion to that saga for those who haven’t read the novel yet. Then, there’s Jamie. At first, he is a cool, funny, and charming guy that I can totally see why Daunis develops feelings for. He has his secrets, and he hides them as much as she does. Let’s say that they go on a rollercoaster when it comes to relationship stuff.

While some people might complain about the slow beginning, once the murder happens, it moves at a brisk pace. Sure, there are times where the investigation stops, so Daunis can enroll in the tribe. However, I found that to be just as important as the research for her character. 

For the plot itself, I found it to be fine. I’m not much of a science person, so I didn’t fully understand chemistry when it came to making crystal meth. Luckily, the internet was there to help me out. As mentioned earlier, it slowly bloomed like a flower. I got more and more invested as more obstacles arose. While not everyone involved in the crime was punished, it didn’t bother me, for the book critiques the notion of privilege. Many of the characters are not surprised by the outcome.

And of course, I couldn’t complete this review without mentioning the references to Ojibwe culture. This is what makes the book stand out. Even though Daunis feels that she doesn’t truly belong in either with her white family nor her indigenous one, she still connects to the Anishnaabe community. For example, every morning, she gives a pinch of semaa at the eastern base of a tree by her house and prays to her ancestors to give her the strength for the day. Also, the novel sprinkles in some Anishinaabemowin – the language of the Anishnaabe people. All of these felt authentic since Boulley is part of the Objibwe tribe, and they are used in ways that don’t interrupt the book. Some of these even enhance certain aspects. For example, Daunis discusses the concept of the Gifts of the Seven Grandfathers – a philosophy, in which one can follow in order to live a good life. One of them is telling the truth. However, throughout the book, she has a hard time doing that, for she doesn’t want to make things worse for the people around her while she investigates the sudden drug-related deaths and has a “relationship” with Jamie.

Overall, Firekeeper’s Daughter by Angeline Boulley is a character study that’s worth the hype. It’s not a perfect book, but what works really works. The characters and references to the Anishnaabe culture truly make the novel stand out. I would recommend it to those who want to read books by Native American authors as well as who like stories about being caught in two different worlds, murder mysteries, and involve lots of science. It’s being adapted into a limited series on Netflix by the Obama’s Higher Ground Productions Company, and I can’t wait to see it! Who knows? Maybe I’ll do a review of the series.

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The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music Book Review

Full disclosure: I was given a free eARC copy of this book by NetGalley and Hachette Books in exchange for an honest review.

I’ve been excited to read books over the years. One can look at my review of Always Look on the Bright Side of Life: A Sortabiography by Eric Idle to see that in action. It’s been awhile since I’ve felt that way for a particular title. That changed this year when word got out that Tom Breihan – author of the “The Number Ones” column on Stereogum – was going to publish a book covering the most important number one hits on the Billboard Hot 100. Naturally, it’s called The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music. I had to read it. Now, what do I think about it? Reader, it was great because it analyzed those ditties in a condensed, informative way.

In The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music, Breihan takes 20 songs that hit number one on the Billboard Hot 100 and reveals how significant they were in shaping music trends. He looks at the historical context surrounding them and how they played a pivotal role in music chart history. Breihan features the greatest pop artists of all time like The Beatles, Michael Jackson, and Prince, and he gives musicians who never hit #1 like Bruce Springsteen, Bob Dylan, and James Brown their due as well.

When I was working as an Adult Librarian in Clarkston, Michigan, I was in charge of maintaining the music CD collection. This meant adding items to and removing them from the shelves as well as keeping up to date on the latest music news. One day, while I was looking at the latest stories, I came across “The Number Ones” column. In it, Breihan analyzes every number one hit on the Billboard Hot 100 since its inception in 1958, and he’s still in the early 2000s (in fact, today’s review was about “The Way You Move” by Outkast featuring Sleepy Brown). On the day that I discovered it, he was taking a look at Paul Anka’s 1974 number 1 song “(You’re) Having My Baby” (featuring Odia Coates (that’s not one of the tunes analyzed in The Number Ones book). After reading his snark-filled, but fully analyzed review of the ditty, I knew I had to read more. I’ve been a fan of Breihan’s column since.

The main difference between the column and this book is the tone. In the former, Breihan evaluates the chart topper in question with snark, sincerity, and complete bias (he’s fully aware that no journalism is wholly objective). That’s why he has rated songs like “Hotel California” a 4 and “We Didn’t Start the Fire” a 1. In the book, the tone is more academic and as balanced as it can be. This makes sense as the overall goal of the research is to see how each of the selected songs contributed to the evolution of pop music as we know it even if they’re not great. Also, in an interview with Billboard (surprise surprise), Breihan revealed that his father was a history professor. I wouldn’t be shocked if he was channeling his dad while writing his book.

As he discusses the #1 hits, Breihan also manages to find the time to write something about the most famous artists that never topped the charts. These get woven into the chapters on the number one tunes. During his chapter on The Byrds’ cover of “Mr. Tambourine Man,” Breihan mentions that Bob Dylan never had a number one hit, yet the cover ushered in the Hot 100’s acceptance of folk-inspired pop songs. Moreover, Bruce Springsteen’s biggest hit “Dancing in the Dark” reached #2 on the Hot 100 right behind another ditty selected for this book “When Doves Cry” by Prince, which reigned on top for 5 weeks and displayed how a musician could take their musical and artistic persona even further. Breihan proves that sometimes, it’s a game of chance of which artists obtain #1 hits or which one don’t.

As I mentioned earlier, the main strengths of the book are twofold. The first is that Breihan leaves no stone unturned when analyzing these tunes. For instance, when he talks about “Dynamite” by the K-pop group BTS, he goes into how American listeners embraced foreign language ditties as well as a brief history of K-pop’s attempts to break into the American music scene to set up the context of how the band managed reach #1. This is especially true when those songs are steeped in controversy. For example, the success of “The Twist” by Chubby Checkers mainly came by because its presentation had been diluted enough for a white audience in the early 1960s. And don’t get him started with how Berry Gordy Jr. screwed over so many careers at Motown as well as the legacy of Michael Jackson.

The second is that the information itself is condensed, but concise enough that readers won’t miss a thing while reading The Number Ones. Even though there’s plenty of detail about each chosen song, each chapter is no more than 20 pages. This makes reading the book digestible, especially for readers who have a rather limited time or a tight schedule.

Other reviewers have noted that it’s best to read this while listening to the songs in question. I wish I would’ve done that because it would’ve immersed me in the tunes more. Luckily, I’ve been correcting that by putting them on when I have some downtime, especially while I wrote this review.

The only complaints that I have are two factual errors Breihan makes in the book. In the “Ice Ice Baby” chapter, he discusses how that tune in question infamously sampled “Under Pressure” by Queen and David Bowie. In talking about who came up with the famous bass riff, he mistakes Queen bassist John Deacon as Roger Deacon (p. 209). I was disappointed by this not only because I’m a Queen fan, but also, he referred to the bass player correctly in his review of “Another One Bites The Dust” on Stereogum. Additionally, in the “Dynamite” chapter, Breihan points out how BTS had slowly climbed their way onto the charts without manipulating it. This included showing up on remixes like the Seoul Town Road one with Lil Nas X. Breihan incorrectly lists member Suga on that “Old Town Road” version when it really was leader RM on that track (p. 310). Despite these errors, I still enjoyed the book.

Overall, The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music by Tom Breihan is worth the read. The author discusses how each of the 20 chosen chart toppers played a role in the evolution of pop music in an effectively informative and concise manner. I’m still surprised that he’s able to analyze every aspect of a song without being too long winded. I would definitely recommend this to music lovers, especially the ones who watch the Billboard Hot 100 on a regular basis and love Breihan’s “The Number Ones” column on Stereogum, as well as to those who enjoy reading about pop culture. The book is out now, so go take a look if you haven’t already!

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Britt-Marie Was Here Book Review

When an author achieves success, they sometimes repeat the same formula to capture lightning in a bottle twice. Personally, I don’t have a problem with this as long as the book is still compelling in other ways. This was the case when I read Britt-Marie Was Here by Fredrik Backman – his third novel. It takes what made A Man Called Ove work and applies to another interesting curmudgeon.

Britt-Marie Was Here is about a socially awkward, fussy busybody woman who has more imagination, bigger aspirations, and a warmer heart than anybody realizes. When she leaves her cheating husband, Britt-Marie finds herself in the town of Borg – a place where everything is closed except for a few places and a road. She becomes the caretaker of the soon-to-be-demolished recreation center. Eventually, she gets to know the various characters in the town like the citizens, miscreants, drunks, and layabouts. Surprisingly, she’s given the task to lead the fairly untalented children’s soccer team to victory. In a town full of misfits, will Britt-Marie find a place where she truly belongs?

For those who have read My Grandmother Asked Me to Tell You She’s Sorry, one may recognize Britt-Marie as the naggy woman who loves order and routine in the apartment building Elsa lives in. While the events of Britt-Marie Was Here occur after the ones from the former, the latter is more of a stand alone novel than a sequel.

As I mentioned early, Backman translates the core structure of A Man Called Ove to Britt-Marie Was Here. This includes a character study on a stubborn, possibly OCD older protagonist, who interacts with a colorful cast of characters that help them change for the better as well as their backstories being revealed through stream-of-consciousness. I can understand why he would do this since that framework worked the first time. However, since the follow-up was My Grandmother, which had a different formula, I was under the impression that maybe he would do something distinct from those novels. At the same time, Britt-Marie is a multifaceted character in her own way that I can overlook the retread.

Even though Backman provided a backstory for Britt-Marie in My Grandmother, he dives even deeper in Britt-Marie Was Here. Granted, to an outsider, Britt-Marie is still a nag-bag, but she slowly becomes more open, flexible, and independent as she continues to live in Borg. She even reveals more of her life with how invisible she felt by her parents after her sister died; how ungratefully she was treated by her ex-husband, especially how he never put his shirts in the washer; and how much denial she was in when the affairs were going on. Seeing Britt-Marie grow and realize how grateful the Borg residents are to her throughout the novel are the greatest satisfactions that the book gives because she definitely deserves to become the person she wants to be and the respect she gets. Although there’s not a whole lot of story, Britt-Marie is such a compelling character that I’m willing to look past that.

Additionally, like A Man Called Ove, despite the sadness, Backman still infuses humor to the situation. When Britt-Marie first arrives at the recreation center, she gets hit on the head with a soccer ball (uh, I mean football). Talk about first impressions, eh? Scenes like that one help to keep the lightness of the story.

Joan Walker narrates a Fredrik Backman audiobook once again. She brings an austere, but vulnerable vibe to Britt-Marie. Her foreign characters have vague, but appropriate accents. The volume issue that I mentioned in my review of My Grandmother is not as prevalent, but Walker has a tendency to voice the teens as younger than they should be. This is a disappointment, for she voiced Elsa – the 7-year-old in My Grandmother – perfectly. 

All in all, Britt-Marie Was Here by Fredrik Backman is a good novel by an author who’s repeating a formula that worked for him before. To some readers who’ve read his other novels, it may seem like a disappointment. To others, it’s still satisfying because the titular character is so memorable. I would recommend it to those who love Fredrik Backman and reading stories about characters who realize their full potential. Once someone reads it, they’ll remember Britt-Marie for a very long time.

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What Am I Reading – Chapter Forty

Hi Everyone!

I hope you all had a great Halloween! I sure did with seeing all the kids trick-or-treating in my neighborhood! I still have plenty of candy leftover.

I can’t believe that I’ve been doing this for 40 chapters! Before you know it, it’s going to be 50! I’ll have something planned for the latter!

In the meantime, I’ve been finishing plenty of books. I’m still reading The Number Ones by Tom Breihan, and I started two new books recently that I’d love to show you. You’ll see that these have something fascinating in common.

Let’s begin with our first title!

The Book Woman of Troublesome Creek by Kim Michele Richardson is about 19-year-old Cussy Carter – the last living female of the Blue People ancestry – who lives in Kentucky. In 1936, the lonely young Appalachian woman joins the historical Pack Horse Library Project of Kentucky and becomes a librarian. She rides across slippery creek beds and up treacherous mountains with her faithful mule Junia to deliver books and other reading material to those most in need in Eastern Kentucky. To the mountain folk, Cussy becomes known as “Bluet.” She confronts those suspicious of her blue skin and of the unique government program as well as befriends a cast of colorful (no pun intended) characters. Cussy is determined to bring comfort and joy, instill literacy, and give those who have nothing something that will take them to faraway lands.

This book is loosely based on the Blue Fugates – a family who were known to carry a genetic trait that led to the blood disorder methemoglobinemia, causing skin to appear blue. I never knew about this family nor about the aforementioned condition. So far, the novel itself doesn’t divulge into the medical history, for it’s more focused on how Cussy deals with prejudice and how she proves she’s a worthy member of society despite the unusual skin color.

At the same time, I knew about the Pack Horse Library Project of Kentucky that the Franklin Delano Roosevelt administration set up prior to reading this book. Not only did they allowed the less fortunate to obtain books and other reading materials, but they also provided jobs for women in the area. The back of the novel explains more of the history of this highly unique program, which is always necessary whenever an obscure event or organization is discussed in historical fiction.

I will automatically like any main character that’s a librarian, but Cussy is more than that. She’s willing to do anything for her patrons even if that means traveling through the toughest terrain that Eastern Kentucky has to offer. And yet, she’s a gentle and empathetic soul. The book can be a little too melodramatic in showing her struggles (ie her getting rapped by her now-dead husband and latter attacked by his perverted priest cousin), but it retains the emphasis on her survival as opposed to her suffering.

I’m curious to how the rest of The Book Woman of Troublesome Creek unfolds!

And now, here’s the second and final book in this chapter!

The Last White Man by Mohsin Hamid is a title that challenges readers to reimagine who they think they are in the future, and how they can come together. One day, Anders – a white man – wakes up to find that his skin has turned dark. At first, he tells only Oona – a friend turned lover. But soon, similar occurrences are reported across the country. Some find this to be the long-dreaded overturning of the established order, to be resisted until the end. To others like Ander’s father and Oona’s mother, it’s a sense of profound loss with profound love. As the bond between Anders and Oona deepens, it brings out a chance to see others, face to face anew.

Now, one may be wondering, “Emily, why are you reading this?”

Well, part of it is to get revenge on the television host who’s been espousing the Great Replacement Theory recently. I knew more of the plot after hearing that person talk about on their show one day. The other reason is that Lit Hub promoted the novel a lot when it initially came out, and I really liked the cover. It’s eye-catching (no pun intended).

I’ve only read about 50 pages so far, and I find the concept wholly unique. I don’t think I’ve read a book that involves white people having their skins turn dark. I’m sure there are horror and science fiction novels that deal with that scenario, yet I’ve never seen it play out in contemporary literature. Yes, there’s also the musical Finian’s Rainbow, in which one character – a U.S. Senator – turns black in order to learn the lesson of becoming a better person by not being a bigot (spoilers: he gets turned back to white at the end of the show). But in the case of The Last White Man, it’s not interested in telling people that prejudice is bad. In fact, Anders’s skin turns dark right on the first page prior to the readers knowing anything about him except being white.

Instead, it seems to be more fascinated with how this change will affect society as a whole, specifically how one navigates having dark skin and the perceptions associated with it. So far, no explanation has been given to why white people like Anders are developing brown and black skin, and it doesn’t seem like there will be nor does it imply will they return to their original “color.” This is a more reinvigorating take than “discrimination = bad.”

So far, I have one complaint about the novel: the run-on sentences. This is the first book that I’ve read from Mohsin Hamid, so I don’t know if this is a common thing in his work. With that being said, one sentence makes up one paragraph, and it can be very long. I wanted to see a period somewhere instead a bunch of commas. We’ll see how long I tolerate that aspect.

I look forward to reading the rest of this novel to see where this unique concept goes!

We have now come to the end of the fortieth chapter of “What Am I Reading?”

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The Outsider Book Review

Since today is Halloween, it’s inevitable that I will once again look at a book by Stephen King. This time, it’s his 2018 novel The Outsider. The best way that I can describe it is what if King wrote a 15-part episode of Law and Order: Special Victims Unit, Monk, and The X-Files in that order. Not all of it works, but it’s still a good read.

The Outsider asks the question, “What if someone was in two places at the same time?” In the town of Flint City, Oklahoma, an 11-year-old boy is found dead in the park. Eyewitnesses and fingerprints all point to one prominent figure: Terry Maitland – Little League Coach, English teacher, husband, and father of two girls. Detective Ralph Anderson, whose son was once coached by Maitland, orders a quick and public arrest. Maitland has an alibi, but Anderson and the district attorney have DNA evidence to back up their claims. The case seems ironclad, but as investigation continues, horrifying answers begin to emerge. In addition, what seems impossible is not quite so. Was Terry the real culprit, or was it someone else who looked exactly like him?

Let’s start off with the Law and Order: SUV part. The summary basically describes an episode of that series. In fact, I even imagined Ralph to be similar to Elliot Stabler in terms of temperament and impulse. The novel handles much of the investigation as one would if they watched a bunch of law shows. For example, in real life, no one from the force would arrest someone in public before all of the evidence was gathered and analyzed. Granted, Ralph does eventually regret that decision, but I feel that was done to get the initial plot going. In addition, the first third of the book focuses on every single detail of the investigation. So much so that the pacing slows down. This is highly evident in the scenes involving the interviews. It only gets interesting again when there’s an incident involving Terry and the victim’s older brother at the courthouse. Let’s just say that it’s similar to that of The Survivors Club by Lisa Gardner. Finally, sections involving how the media coverage affects the investigation as well as Terry’s wife and daughters were very intriguing. If this were solely a Law and Order: SUV episode, King could’ve spent more time focusing on how the media influences a verdict even when not all the evidence is available and analyzed, and it would’ve been fascinating. But, he didn’t because he wanted to introduce a character from a previous series and some supernatural elements.

Speaking of that person, let’s talk about Holly Gibney. She may possibly have OCD, is obsessed with movies, and has very specific ways of doing things. Despite her flaws, her attention to detail and ability to leave no stone unturned are her greatest assets. In other words, she’s a female version of the titular detective from Monk. Holly comes in around the halfway point, which is about 300-400 pages in the story, after Ralph discovers that there was a similar assault/murder in Dayton, Ohio. She was previously in the Bill Hodges trilogy, and The Outsider is the first book in her own series. I’ve not read any other King book besides Rose Madder, so this was my introduction to her. Readers like myself who haven’t read the Bill Hodges series might not quite understand the hints to her backstory, while for those who have, they will probably be delighted with the callbacks. As for Holly herself, some people might find her to be two-dimensional, mainly defined by her quirks, and annoying after a while. I personally didn’t find her that way because she reminds me of me in a variety of ways. Sometimes, the strongest and bravest people are the ones that people least expect, and that’s what Holly represents. I also liked the rapport between her and Ralph as the investigation went on.

Finally, let’s talk about The X-Files section. Like with Holly, this gets introduced at roughly the halfway point of the story. This would’ve been stronger if the supernatural elements came in much earlier in the story since this plays an important role. I get that the book’s cover is supposed to suggest a creature beyond our normal understanding will grace the pages, yet it should’ve factored into the plot more than it already does. I won’t tell you what it is (readers will have to find this out for themselves), but I will say that all it took to destroy it was a blackjack hidden in a sock. This might sound cool, but after a long conversation between Ralph and the creature and how the former shouldn’t kill the latter made the climax underwhelming. In addition, the monster and what happened to it was simply creepy. It didn’t scare me at all. Normally, this wouldn’t bother me, yet this is written Stephen King of all people. He has scared people and put them in terrifying situations while reading his books. I felt that way while reading Rose Madder, but not here. Maybe if the creature arrived much earlier in the novel, then maybe I would’ve felt more unsettled. It doesn’t help that Ralph has nightmares about the monster after all was said and done in the many endings that rival that of The Return of the King. This plot is already insane by having the supernatural element there in the first place. King could’ve gone further by incorporating that aspect more.

As for Stephen King’s overall writing style, it’s what one expects from his work. However, I got annoyed after he mentions the same descriptions over and over again. For example, King describes district attorney Bill Samuels with a cowlick similar to that of Alfalfa’s from The Little Rascals. At first, this was amusing. Then, it became cute. After that, I was shouting, “Ok, I get it!”

Furthermore, King adds some weird details in this book. This is especially true when he mentions Holly’s small breasts and Jeanie’s – Ralph’s wife – nipples in parts I least expected. They simply took me out of the story.

Will Patton narrates the audiobook. He has appeared in films like Remember the Titans and Armageddon as well as television shows like Yellowstone. Additionally, he has recorded several audiobooks for books like Killers of the Flower Moon and for authors like James Lee Burke and, yes, Stephen King. In fact, Patton has done the Bill Hodges trilogy as well as the second title in the Holly Gibney one If It Bleeds. His performance was full of strong choices even if there were some misses. He gives Ralph determination, which can be impulsive at times, while he provides Holly a mousy-like voice along with strange inflections. My personal favorite was his readings as Luvie Bolton. He gives her a big, but strained voice that one could recognize miles away. This interpretation perfectly aligns with the minor character as she, in her declining health, carries an oxygen tank with her at all times. I also want to add that Patton does a great job staying in character even when he’s not reading dialogue. This is most apparent when Jeanie first encounters the outsider.

There are only two things that I had to complain about. One of them is that his Mexican characters tended to sound stereotypical. I say this even though there’s an effective bit in the book, where the characters watch a Mexican movie with Speedy Gonzales-like English dubbing. The other is that I had to adjust the volume so many times in order to hear what Patton was saying as well as prevent my ears from getting blown off. He gets very quiet in certain places and then becomes loud in a matter of seconds. I had a similar issue with Eric Idle’s performance in Charlie and the Chocolate Factory audiobook.

In summary, The Outsider is a bloated, but interesting book in Stephen King’s body of work. The novel would’ve been better if he had picked one or two ideas at most and run with those as opposed to trying to incorporate three of them at the same time. On the other hand, in true King fashion, it’s so insane that it kept my interest going until the very end. I would recommend it to those who are already Stephen King fans as well as for those who love horror, supernatural elements, and reading about murder investigations. Although it’s not among his classics, it’s definitely worth checking out.

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The Night Circus Book Review

Have you ever read something that was so enchanting and baffling that you needed some time to think about it? That recently happened to me when I finished The Night Circus by Erin Morgenstern. At first, I wasn’t sure what to think about it. Now, I realize that it’s full of wonder and enhancement, but I wish I cared about it more.

The Night Circus is about many things. First and foremost, it centers on the titular object that arrives without warning. Called Le Cirque des Rêves (or The Circus of Dreams), it contains black-and-white canvas tents and breathtaking amazements, yet it’s only open at night. Behind the scenes, there’s a fierce competition between two young magicians named Celia and Marco. They’ve been training for this purpose since they were young and by their mercurial instructors, but unbeknownst to them, only one can be left standing. Things get complicated when they fall in love. However, the game must play out, and everyones’ fates from the performers to the patrons hang in the balance.

Morgenstern apparently wrote this novel over three years during National Novel Writing Month (aka NaNoWriMo), and I can tell. This book has a non-linear structure, for it tends to jump around in the timeline. Some people may be irritated by this, but I was fine with it since the novel’s subject is about something that’s unique and follows its own set of rules like how the developers don’t age. Hence, its structure does the same.

Speaking of unique things, the world-building of the circus was exquisite. From the moment the circus first arrives, readers are immediately taken into its multiple tents, how it’s only open from sunset to sunrise, and how it only contains performers that can’t be found anywhere else. I could easily understand why it would have people following it all the time and why the book is being made into a movie at this time (even though no new information about the adaptation has arrived since 2019). And of course, more mysterious things associated with the circus reveal themselves as the novel progresses. The descriptions of the various elements including the physical circus itself were impeccable. I could easily imagine a lot of things from the black and white tents to how the characters look. I’m going to be honest. In my mind, Widget and Poppet – the Murray twins – looked like Ron Weasley. It works in mysterious ways.

I liked the characters. All of them have their own backstories and defined personalities. On the other hand, much like the movie Dunkirk, the book doesn’t spend much time with each character before moving on to another, yet it comes back to them eventually. However, as the book progressed, I couldn’t get myself emotionally attached to them until the very end. Part of this is because the novel is written in third person, which basically contains a narrator, who’s completely detached from the story, telling it.

Another thing is that the plot gets confusing towards the end. I understand that Marco and Celia want to be together despite the competition forcing them apart, but how did they defy the odds? What made them vanish? Also, who put out that bonfire? I guess it’s something that I have to reread in the future.

Jim Dale narrates the audiobook. For those who don’t know him and/or haven’t read the Harry Potter audiobooks, Dale is a world renown actor, composer, director, and singer, songwriter, narrator. He’s won a Tony for his role in the musical Barnum and several Audie awards for various audiobooks like Peter and the Star Catchers and the aforementioned Harry Potter series. He’s even been nominated for an Oscar for the title song for the movie Georgy Girl (he wrote the lyrics). In other words, he’s a big deal.

Now, you’re probably wondering how he’s narrating The Night Circus. He’s good. He makes his characters distinct with little touches. For example, Celia’s instructor and father Hector Bowen displays eccentricity and a slight Northern English accent, while Chandresh Christopher Lefèvre – the owner of Le Cirque des Rêves has a similar vibe but with a more posh voice. He also narrates Poppet and Widget with well-articulated Scottish accents. The main complaint I have with his performance is that he makes the younger characters sound too old. For example, when readers first encounter a 19-year-old Marco, Dale makes him sound like at least 20 years older. Of course, as Marco gets older, the voicing makes more sense. 

All in all, The Night Circus by Erin Morgenstern is a unique magic realism novel. Its world-building and the characters are well defined. On the other hand, the third-person point of view made it a little hard for me to be fully emotionally invested in the story, and the plot could be confusing if one doesn’t pay full attention. I would recommend it to those who like magic realism as well as reading about circuses and forbidden love. I wonder how the movie will translate the novel to the screen if it ever gets there. We’ll see how that goes.

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What Am I Reading – Chapter Thirty-Nine

Hi Everybody!

I hope everyone’s having a great October so far. I sure have! My job as an archivist will become permanent very soon. I’m also getting my cosplay ready for Youmacon! Even though I have a lot on my plate, I still managed to find time to read some new books. They are some pretty darn good books that I’d love to show you right now!

Let’s begin with the first title!

The Sentence by Louise Erdrich asks what we owe to the living, the dead, to the reader, and to the book. A small independent bookstore in Minneapolis gets haunted by the shop’s most annoying customer from November 2019 to November 2020. Tookie – an Ojibwe woman who landed a job at the store after spending 7 years behind bars that she survived through lots of reading – must solves this mystery while trying to understand all that occurs in that city during a year of grief, astonishment, isolation, and reckoning.

So far, I think it’s good, but I’m not sure what to fully think of it. In fact, I had a hard time summarizing the plot, for there’s nothing and everything happening at the same time. That’s why I used quite a bit from official description.

Here’s where I will start. Tookie is a flawed, but fascinating character. She’s quick to judge, and some characters see her as too snarky, impulsive, and overprotective. At the same time, she can be funny and brutally honest. I especially love how she critiques the book title trends in recent years. I can understand where she’s coming from, yet I’ve done face palms after reading about some of the things that she did.

Additionally, there’s a lot going on in this book, and I’m not even halfway through it. So far, it’s a ghost story and a reckoning on Native American identity through the eyes of an indigenous woman who doesn’t even know her own real name. And, I haven’t even got into the pandemic portion of the book, but once I do, I will have some thoughts.

Louise Erdrich not only wrote the novel, but also narrated the audiobook. She has recorded audiobooks for 5 of her novels including The Sentence and her award-winning book The Night Watchman. I can see why she would want to narrate herself. Tookie could become an unlikeable character if voiced by the wrong actor. Erdrich balances Tookie’s snark and sincerity, especially when the character upsets her niece Hedda after she asks about the father of the latter’s child. Although the other people in the story don’t have much vocal distinctions, Erdrich makes them sound real as if one has met them in real life.

Even though I’m not entirely sure what to think of The Sentence so far, I’m intrigued and look forward to seeing how the plot unfolds.

And now, here’s the second and final book in this chapter!

The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music by Tom Breihan is exactly what it sounds like. Breihan has analyzed every number one hit on the Billboard Hot 100 since its current inception in 1958 in his “The Number Ones” column on Stereogum, and he’s still in the early 2000s. In this book, he takes 20 of the songs that hit number one on that specific chart and reveals how significant they were in shaping music trends. He looks at the historical context surrounding them and how they played a pivotal role in chart history. Breihan features the greatest pop artists of all time like The Beatles, Michael Jackson, and Prince, and he gives musicians who never hit #1 like Bruce Springsteen, Bob Dylan, and James Brown their due as well.

Long story short: when I was working as an Adult Librarian in Clarkston, Michigan, I was in charge of maintaining the music CD collection. This meant adding items to and removing them from the shelves as well as keeping up to date on the latest music news. One day, while I was looking at the news for the day, I came across “The Number Ones” column as Breihan took a look at Paul Anka’s 1974 number 1 song “You’re Having My Baby” (that’s not one of the songs analyzed in The Number Ones book). After reading his snark-filled, but fully analyzed review of the ditty, I knew I had to read more.

This is all to say that I’ve been a fan of Breihan’s column for a few years, and when he announced that he was going to put out a book about the 20 most important #1 hits on the Hot 100, I knew I had to read it. I was so determined that I managed to obtain an advanced reader’s copy, for the book will be out on November 15.

So, what I feel about it so far? It’s pretty good. He leaves no stone unturned when analyzing these tunes, even when they are seeped in controversy. For example, the success of “The Twist” by Chubby Checkers mainly came by because its presentation had be diluted enough for a white audience in the early 1960s. In addition, the tone, in which he writes this book, is similar to that of the column, which is filled with snark and deep love for pop music.

I can’t wait to read more of The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music very soon!

We have now come to the end of the thirty-ninth chapter of “What Am I Reading?”

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Hour of the Witch Book Review

Content warning: this book review will discuss domestic abuse, sexism, and briefly suicide.

There are certain books that might not sit right with readers for a variety of reasons. They may be tough to get through but are worth it in the end. I encountered a novel like this after reading Hour of the Witch by Chris Bohjalian because it deals with domestic abuse, sexism, and lots of exposition. It took a lot of patience, yet reader, it was rewarding.

Hour of the Witch is about a young Puritan woman who’s trying to leave her cruel husband. Mary Deerfield is 24 years old and beautiful. In England, she would’ve gotten a lot of suitors, but in the New World (specifically 1662 Boston), she’s the second wife of Thomas Deerfield – an abusive and powerful man. When Thomas, prone to drunken rage, purposely drives a three-tined fork into the back of Mary’s hand, she believes that enough is enough and that she must divorce him to save her life. However, in a world where every neighbor is watching for signs of the devil, a woman like Mary – a woman who harbors secret desires and finds it difficult to tolerate the hypocrisy of so many men in the colony – soon finds herself the object of suspicion and rumor. When tainted objects are discovered buried in the ground, when a boy whom Mary has been treating with herbs and simple dies, and when the boy’s sister – a servant in the Deerfield household – runs out of the home screaming, Mary must not only escape her marriage, but also the gallows.

Hour of the Witch is the third Chris Bojhalian novel that I’ve read, and I think it’s his best one so far. While other books – The Flight Attendant and Secrets of Eden – have their advantages, this one has the highest of the highs, while having the fewest issues.

Much like Bohjalian’s other female protagonists, Mary is a three-dimensional character with desires, but she is forced by the Puritan society to maintain her duty as a wife despite the circumstances. In a way, Mary reminds me of Cassie from The Flight Attendant. Even though Mary is a more respectable person, both are trying to clear their names from crimes they didn’t commit. I wouldn’t be surprised if Bohjalian made that decision after the success of the first season of The Flight Attendant television show.

In addition, I enjoyed the world building. Since the book takes place in the Puritan Massachusetts colony, it constantly reminds readers of the values that they held dear as a community like moral and religious earnestness as well as predestination. This context aids them in understanding why the characters would’ve had major concerns over Mary’s attempt to divorce her husband. It doesn’t help that accusations of witchcraft were becoming prevalent when the novel began. The language was developed too as it uses a lot of the phrases, which would’ve been common during that time like the “thee,” “thou,” “helpmeet,” and “white meat” (the latter as an insult for being stupid) even though I was taken out of it when one of the magistrates said, “Thou art serious?” 

Bohjalian characterizes this historical period so thoroughly that readers can easily understand why certain characters would think Mary is a witch. People were already suspicious of her because she was barren, and she was part of an influential family in Boston. Her father shipped goods from the Old World to the New one and vice versa and personally knew one of the magistrates.

Many reviewers have noted that the first half of the book is slow. I noticed this too as well as how it’s structured like the Greek play Antigone by Sophocles. A good chunk of the first part involves a lot of exposition and the aforementioned world building. Then, after Mary leaves her husband, a bunch of people come to her parents’ home and beg her to reconsider. This reminded me of how the characters in Antigone like the advisors and the son Haemon tell Creon that he should change his mind and bury Antigone’s brother Polynices who fought against Thebes. 

After her divorce petition was denied, Mary decides to take the matter into her own hands before it’s too late. This is where the book picks up because there were  many options of what could happen. During the second half, I knew certain things would occur, but some caught me off guard. Readers will have to be patient while going through it, for this is one aspect that makes the book worth it.

Another thing that readers will need to know before picking up this title is that there’s a handful of instances of domestic abuse. Many of these involve Thomas – Mary’s husband – insulting and inflicting harsh punishment onto her. These were hard to get through, for I’m not a fan of so much abuse in one novel. I can handle books and movies that have that one scene, but much more of similar intensity can be too much for me. Moreover, that can cross the line into suffering for suffering’s sake as well as torture porn easily. However, Bojhalian always focuses on what Mary’s feeling in those moments and finding her strength to carry on. This is not surprising since he dealt with that same topic in Secrets of Eden with nuance, especially with why the wife went back to her abusive husband after having a restraining order on him. Hour of the Witch does go into Mary’s suffering for a brief time as she contemplates suicide, yet after receiving a message in the hearth, she resolves herself to take control of the situation and seek a way to leave her cruel husband.

Additionally, the novel made me feel a bunch of emotions, mainly angry, since it tackles domestic abuse as well as sexism. The magistrates’ logic on how one could be a witch during Mary’s trial was so absurd that I was ready to punch a good majority of them. (Side note: making the youngest magistrate the misogynistic one is a splendid touch.) I wanted to do the same thing to the authorities who didn’t take the female characters’ testimonies seriously. Of course, Bohjalian did this on purpose because he knew a contemporary audience would most likely react the same way I did. He acknowledges this usually with Mary saying something like, “This is absurd!”

Luckily, if I ever felt mad after listening to sections of Hour of the Witch, I could watch this wonderful documentary on a witch trial.

In addition, the book has one of the most satisfying endings that I’ve ever read. All I will say is that if one has doubts on continuing with this novel, keep going, it’s worth it all the way.

I listened to the audiobook, and it’s one of those instances, in which I would recommend readers to look at the physical book. Grace Experience narrates it along with a full cast although the latter are relegated to reading official documents, and they do an effective job in embodying the main characters while sounding accurate to the Puritan era. That’s why I’m not listing everyone who’s on the audiobook. In addition, I don’t know if those records are real or made up for the story; I’ll have to do more research. 

Experience (Bohjalian’s daughter) needs no introduction as she did part of the narration for The Flight Attendant. She blends a contemporary and period voice well. At first, I wasn’t sure about this take because it felt a little too modern, but I realized that she’s portraying a third-person narrator. This gives more leeway in how she interprets the story. At the same time, a lot of the characters sound similar. It wasn’t to the point that I couldn’t identify which was which (no pun intended), yet it would’ve been a more effective performance had Experience did. Additionally, she eunicates stuff in a way that feels monotone. By herself, it’s not bad, but when I heard the other narrators read their small parts, there was more emotion in their voices. Even though it’s a solid performance, I simply wanted Experience to emote more to match what the characters, especially Mary, were going through.

All in all, Hour of the Witch by Chris Bohjalian is the best book that I’ve read from that author. The author does a great job with recreating the Puritan world through the language and embedding their values into the story. In addition, Mary Deerfield is another wonderful female protagonist who I rooted for throughout the novel. The novel rightfully made me angry about what she had to go through. I would recommend the physical book to those who like reading stories about witch trials, the Puritans, and how people get out of domestic abuse situations. Sometimes, a book is tough on purpose, so it’s good to be patient because it might be worth it.

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What Am I Reading – Chapter Thirty-Eight

Hi Everybody,

I hope all of you had a great Labor Day weekend and a wonderful September! I certainly did, especially with my birthday being last week! I made schnitzel and spaetzle as well as went to trivia!

Anyway, it’s been awhile since the last chapter, and I’ve also spent last month reading plenty of new books. I would like to share those titles with you, so let’s begin!

No Country for Old Gnomes by Delilah S. Dawson and Kevin Hearne is the second book in “The Tales of Pell” series. The Skyr is a rich land that’s claimed by both the halflings and the gnomes. For hundreds of years, the former has worked to undermine the power of the latter and seize total control through legal means and an underground criminal network. The gnomes are desperate and ready to fight back. A group of outcasts that contain creatures like halflings, gryphons, and the aforementioned gnomes go to Gustave the Goat King for help with the situation. Can he bring peace, or will this lead to a civil war in the kingdom?

It’s been awhile since I read the last book in the series Kill the Farm Boy. For those who haven’t read that review, I’ll summarize it now: While the title is instantly memorable, and there were parts that I liked, I felt that the book overall didn’t live it to its expectations.

I decided to read No Country for Old Gnomes because I’m a completist, and I like novels that pay homage to Monty Python.

What do I think of it so far? Well, it’s definitely better than the first one even though I don’t think No Country for Old Gnomes is as awesome of a title as Kill the Farm Boy, but I still like it. The elements that worked for me in the first book are present in the second one. These include the map of Pell, the quirky characters that range from a halfling who’s obsessed with his toes’ appearance to a gryphon who kills for omelets that band together to restore peace in Skyr, and the relationships that they have with each other. I genuinely like Agape – a half-human, half-sheep who can’t trust people outside of her Piini Automatti (a robot) and steals stuff – and Offi – a goth gnome who wants to be his own person outside of being compared to his more perfect twin brother Onni.

The things that didn’t work in Kill the Farm Boy are thankfully minimized (including the bodily function jokes). Although the pacing is a bit slow in the beginning, it does pick up when all the main characters meet each other. Occasionally, there are bits that do come off as “Ha ha ha, this is funny,” particularly in the prologue with the witches. At the same time, that’s more on me because my sense of humor tends to be more dry. A lot of the book leans more towards the witty end anyway.

Of course, I have to mention about the what the book is making fun of. The satire in No Country for Old Gnomes is a little more broader than in the first one since it focuses on prejudice and how ridiculous is it in a multitude of ways. The novel does a good job with establishing how a certain group behaves and presents themselves and then, contrasting that with their outcast main characters. In addition, it plays on audience’s expectations. There’s a great scene, in which a teen witch-gnome named Kirsi stops by a house made out of candy and gingerbread. I won’t spoil it; all I will say is that she encounters a witch that Hansel and Gretel would warn her to stay away from.

Overall, No Country for Old Gnomes is better written than Kill the Farm Boy, and I look forward to seeing the payoff.

Now, let’s look at the second and final novel of this chapter.

There There by Tommy Orange follows twelve people from various Native communities as they travel to the Big Oakland Powwow. They’re all connected in ways they may not yet realize. These voices tells the story of the urban Native American, grappling with its complex and painful history, beauty, spirituality, communion, sacrifice, and heroism.

I’ve read about a quarter of the novel so far, and I like it. Each chapter is devoted to one character and how they deal with being an urban Native American. All of them have their reasons for going to the powwow. However, it’s a little hard to connect to them since once I’m into one person, the book switches to another perspective. The one I gravitate to the most so far is Edwin Black – an overweight half-Native and half-white man who stills lives with his mom and has issues with her boyfriend. He wants to begin his life again by working and finding his biological Native father.

It moves kind of slow, but I wouldn’t be surprised if it picks up when the characters get more intertwined with each other. I look forward to seeing how There There unfolds.

We have now come to the end of the thirty-eighth chapter of “What Am I Reading?”

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