Top 3 Best and Worst Books* of 2022

Hi Everybody!!

Today is the last Monday of the year! You know what that means? It’s the 3rd annual year-end countdown of books* I reviewed in 2022!

*This year I expanded my reviews to include more movie adaptations of the novels I read for this website. At least one of those will be on here.

Like before, I’ll pick 6 titles for this list – 3 for the best and 3 for the worst! Now, I have only one question for you!

I sure am! Let’s get started with the Best Books of 2022!

I read a lot of 4-star titles this year, but that doesn’t mean that they weren’t worthy for the list. All I’m saying that it was a little easier to choose the best of the best since at least 5 of the books that I read and reviewed this year were exceptional. At the end of the day, I had to narrow down the best list to 3 of those titles, which I’d love to show all of you now.

3. Maus by Art Spiegelman

Initially published in serial form from 1980 to 1991, Maus by Art Spiegelman experienced a popularity resurgence earlier this year due to the McMinn County School Board removing from its 8th grade curriculum for reasons that still don’t make a whole lot of sense. This further sparked debate about banning books from schools. Reading this Pulitzer-Prize-winning graphic novel made me realize how vital it is to teach about the Holocaust in non sugarcoated ways. Even though it’s obvious to people who’ve read it, what makes this book iconic is its stark black-and-white imagery with the mice being the Jewish people and the cats being the Germans. It simplifies the infamous conflict in ways anyone can understand without watering it down. It also balances the darkness and horror with humor and flawed protagonists. Maus truly shows that the most powerful books are the ones that are often at risk of getting banned, and this one is most definitely fits that category. Go read it if you haven’t already!

2. The Phantom Tollbooth by Norton Juster

I spent a good chunk of this year as a Children’s Librarian. As a result, I read plenty of classic and contemporary juvenile literature. The Phantom Tollbooth by Norton Juster is the best of the classics that I read this year. It’s extremely silly in most creative ways even though some of the puns are dated. That aspect is balanced by the profound message of learning and experiencing all of the senses. This is definitely for kids who love learning, but not necessary in school, as well as anyone who loves reading about faraway lands, absurdism, and puns (lots and lots of them). So jump to the Island of Conclusions if you haven’t read it already. It’s the best example of deep and simple storytelling that populate the most beloved stories for children.

1. The Crossover by Kwame Alexander

If The Phantom Tollbooth was my favorite classic children’s story that I read this year, then The Crossover by Kwame Alexander is the best contemporary juvenile book that I read in 2022. It contains memorable and layered twin protagonists as they navigate their world through basketball. Oh by the way, did I mention that there is non-rhyming verses? It’s so digestable and heartfelt that I even recommended it to an older woman who was looking for a quick read at the library. She was excited to read it. It’s for all these reasons that I can’t wait to check out the series when it eventually comes out on Disney+!

Before, we get to the worst list, I want to mention that the chosen titles bothered me in a variety of ways, and that’s why they’re on the worst list.

Now that we got that out of the way, it’s now time to get to the Top 3 Worst Books* of 2022!

3. Where the Crawdads Sing Movie

The movie adaptation of Where the Crawdads Sing is not bad. It’s aesthetically pleasing, the theme song “Carolina” by Taylor Swift definitely deserves the nominations it’s gotten at various award shows, and I enjoyed David Strathairn’s performance as Tom Milton – Kya’s lawyer.

The thing that bothered me was that it was so average that I could see why reviewers preferred to talk about the controversy surround author Delia Owens rather than the film itself. The choices made when adapting felt marketable and predictable. So much that it strips some of the nuance of Kya’s character and possibly reduces her to a Nicholas Sparks female archetype. Granted, the book wasn’t exactly great, but even that offered more to the consumer than the film ever did.

2. The Fountainhead Book by Ayn Rand

I can see why people might like The Fountainhead by Ayn Rand, but I couldn’t have cared less. Philosophy aside, it’s too long with too many speeches, and I wasn’t convinced by the main character Howard Roark as the model of objectivism. It also didn’t help that Howard rapes Dominque – the main female in the book, and the novel tries to justify it! Now, by mere coincidence, I’ve read 15 novels since April that feature and/or mention sexual assault. This is the worst depiction of rape that I’ve ever read in a book due to the victim blaming.

This book isn’t any higher because I lowered my expectations before reading it. Also, the movie version is more entertaining, so if we didn’t have the tome, we wouldn’t have the flick.

1. For Whom the Bells Tolls Movie

Ever since I watched this 1943 movie adaptation of Ernest Hemingway’s novel For Whom the Bell Tolls back in March, I wanted to say the following:

  1. If you want to watch a movie that involves people waiting for orders and sitting in a room and talking, see Battleground (1949) and 12 Angry Men (1957).
  2. If you want to watch a nearly three-hour film that’s based on a book and involves blowing up a bridge, view The Bridge on the River Kwai (1957).
  3. If you want to torture someone, look them in a room, tie them to a chair, peel their eyes open, and make them watch the scene from For Whom the Bell Tolls, in which one character says “I don’t provoke” while getting repeatedly punched for no logical reason on an one-hour loop.

What I’m saying is that unless you’re an Oscar buff, avoid For Whom the Bell Tolls at all costs. It’s dull with a capital D and eliminates majority of nuance present in the novel. Oh, by the way, did I mention that there’s brownface in it? Stay away from it as much as you can!

And that was the Top 3 Best and Worst Books* of 2022! I hope all of you enjoyed it. I look forward to having plenty of new reviews for 2023! See you next year!

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Once Upon A Winter: A Folk and Fairy Tale Anthology Book Review

Full disclosure: One of the authors of this book gave me an electronic copy in exchange for an honest review.

There are certain aspects that influence what kind of books readers take a look at. Some are personal, while others are coincidental, but they could be seasonal too. Much like certain songs, some books are meant to be consumed at a certain time of the year. A case in point is Once Upon a Winter: A Folk and Fairy Tale Anthology edited by H.L. Macfarlane, and it’s a very good collection of stories all set in winter.

Once Upon a Winter: A Folk and Fairy Tale Anthology is the first of four planned seasonal anthologies. This contains folk and fairy tales written by 17 authors across the globe, and they consist of different genres, adaptations of known stories, and original ones.

While all of the stories have winter as their backdrops, they explore that season in different ways. Some venture into its harsh and isolated side, while others portray it as more whimsical and with more depth. All of them have a fantasy element (for obvious reasons), but some like The Biting Cold by Josie Jaffrey and Santa Claus is Coming to Town by Bharat Krishnan have horror elements, while others have humor like The Snow Trolls by S. Markem. In addition, some are more suited for a Young Adult or a Middle Grade audience like The Best Girl This Side of Winter by Laila Amado and You Can’t See Me by Kate Longstone. In other words, it’s got something for everybody.

My favorite stories were mainly the fairy tale retellings. The Match Girl retold by Rebecca F. Kenney is a twist on the Hans Christian Andersen fairy tale of the same name. It captures the spirit of the story of a girl trying to survive while selling matches. I won’t spoil it, but the twist is let us say enlightening. Another one of my favorites was A Pea Ever After by Adie Hart – a retelling of another Hans Christian Andersen tale The Princess and the Pea. This one involves a witch who’s mistaken as a princess and gets roped into a contest for Prince Percival’s hand in marriage, yet none of the other contestants seem all that interested. This story is refreshing, inclusive, and contains plenty of twists to satisfy the reader.

I also have to give a shout out to The Snow Trolls. It involves two trolls that discover snow for the first time. It’s a punchline of a story, but it’s satisfying and obviously funny, especially with the snarky narration.

While I liked a lot of the stories, some didn’t do it for me. For example, Queen of the Snows by Joyce Reynolds-Ward is a decent epic tale of a queen looking for some magical weapons. It’s got some good imagery, yet I couldn’t follow the story, and some actions felt very random. It’s an intriguing story that should be a full-fledged novel. 

In summary, Once Upon a Winter: A Folk and Fairy Tale Anthology edited by H.L. Macfarlane is a very good collection of stories set in wintertime. There’s a story for everyone in a variety of genres. I would recommend this to anyone who likes short stories, fantasy, and winter-based tales with a cup of hot cocoa or tea. I look forward to reading the other seasonal anthologies in the future.

Stay tune for next week when I post my Top 3 Best and Worst Books of 2022!

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Goodbye, Mr. Chips Book Review

I’ve read and reviewed plenty of character studies on this website, but I’ve not tackled the most quintessential kind: the-old-man-looking-back-on-his-life trope. That is until now. One of the most well-known titles in this subgenre is the 1934 novella Goodbye, Mr. Chips by James Hilton. Even though it doesn’t have the same cultural legacy that it did in the past, its warmth, sweetness, somberness, and humor made the book likable and endure for such a long time.

 Goodbye, Mr. Chips is about Mr. Chipping – an old classics schoolmaster at the Brookfield School. Mr. Chips – as he is affectionately known as – dreams by the fire as he reflects on his days as being a teacher at an English boarding school for many decades. He recalls his early period as a difficult taskmaster schooling his students. He later views his middle-age period as a rebirth when he meets Katherine – a young woman whose opinions change him for the better. He evolves into the lovable old schoolmaster who’s constantly reliable while Brookfield experiences new students and a new, uncertain world full of conflict.

This subgenre of the character study is self explanatory. The old man in question usually reflects on his actions and relationships that he’s made throughout the years. As a result, there’s not much of a plot nor stakes in it. However, that’s not an inherently bad thing. Sometimes, it’s good to read a book that’s not all about making one heart’s pound. 

This can work if the main character is interesting, and in this case, Mr. Chips is in a way. He’s not exactly the textbook-definition of the word interesting as he’s described in the novella as being friendly, yet people wouldn’t necessarily be chums with. He’s more eccentric in a good way. Mr. Chips has his way of speaking by saying “umph” at least once in his sentences and being unfiltered like recalling casually how he disciplined one student to the latter’s son. And of course, he makes plenty of puns (check out the one he makes about the Lex Canuleia)! And yet, he means no ill. In addition, he has afternoon tea with new students to get to know them even when he’s retired. All of these traits and actions make him endearing and reliable.

Additionally, even though I wouldn’t label the novella as a romance, I certainly was invested in the relationship between Chips and Katherine because of how realistic and unexpected it was. They have different ideologies, for Chips is conservative, while Katherine lends more socialist. I appreciate that Hilton gives Catherine these kinds of beliefs even if she’s essentially a plot device that makes Chip turn his life around. As a result, they disagree on certain things. Even though their romance only takes up a small section of the tome, it effectively shows how Chips’s views evolve by telling the readers so. What makes it unexpected is how they meet. While Chips is vacationing in the Lake District, he’s up in the mountains when he sees Katherine waving excitedly. He mistakes this as her needing to be rescued, but it turns out that she’s an expert climber and that she brings him down after he sprains his ankle. She not only saves him physically, but also mentally and emotionally, since she’s responsible for the afternoon teas that he has with new students and allows him to open up to new experiences and ways of thinking even if he disagrees.

It doesn’t have the same cultural legacy as it did in the past, yet it endures. There are books and movies that have replaced Goodbye Mr. Chips as being the most well known teacher stories. I’m talking about stuff like Dead Poet Society, Mr. Holland’s Opus, and Freedom Writers. Additionally, I’m sure that today’s filmmakers don’t want to touch a tale involving a relationship with a big age gap. The implications involving that are barely addressed in the book. Finally, although it has had four different adaptations made – two feature films and two television presentations – over 6 decades, the most recent was from 2002. Since then, it has come to my attention that the original premise for the beloved television show Breaking Bad was having Walter White turn from Mr. Chips to Scarface. Also, Jeopardy had a clue about the book in a category about (fittingly enough) “c”haracter studies in an episode that aired earlier this year. 

The only thing that I have nitpick is that there’s more telling than showing. The novella explains to readers how Chips feels as he goes through the various episodes in his life. It leaves little to the imagination, but honestly, it’s still enjoyable.

Moreover, I have to acknowledge that Goodbye, Mr. Chips has several different editions. The one I read was the 1962 one. It contains a foreword by Edward Weeks and illustrations by H.M. Brock. Both were pretty charming since the former discussed his relationship with Hilton and why the author wrote the novella in the first place, and the latter had sketches of various moments featured in the book.

All in all – umph, Goodbye, Mr. Chips by James Hilton is as warm as Earl Grey tea, as sweet as sponge cake, somber as an English boarding school, and as humorous as the main character’s puns. While it doesn’t have the same cultural legacy as it once did, it still endures, and I can see why. Mr. Chips is a character that people recognize as someone they’ve known in their lives even with all of his quirks. The relationships that he has with his students and with Katherine are relatable and endearing. I would recommend this old-man-looking-back-on-his-life character study to those who love sentimental novels as well as to those who love reading about teachers fictional or nonfictional. 

Before I go, I want to let you all know that I’ll be talking about the 1939 movie adaptation with Zita Short on her The 300 Passions Podcast! We’ll be discussing as always why it failed to make the cut on the American Film Institute’s 100 Years…Passions list. It’ll be my third time on that podcast. I had seen the movie before, and it motivated me to read this book, so it’ll be a fun time talking about how faithful it is to the novella. Stay tuned for my movie review of that and of the other adaptations (that I got my husband Carl to watch) as well as for that upcoming episode! Goodbye, book review!

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What Am I Reading – Chapter Forty-One

Hi Everybody,

I hope all of you had a great Thanksgiving! I sure did with family and friends as we yelled at the Lions and cheered on the Wolverines! Because I did so much, I haven’t had much time to read, yet I finished The Book Woman of Troublesome Creek by Kim Michele Richardson today.

However, I did start a new book fairly recently, and I would like to share it with all of you today.

The Underground Railroad by Colson Whitehead is a unique take on the famous network used by slaves in the early- to mid-19th century to obtain freedom. Cora is a slave on a cotton plantation in Georgia. Life is terrible there, but even more so for Cora since she’s considered to be an outcast by other Africans. Additionally, she’s coming into womanhood, where greater pains are to come. When Caesar arrives on the plantation from Virginia, he tells her about the Underground Railroad – a secret network of tracks and tunnels that engineers and conductors operate beneath the Southern soil. They decide to take the risk and leave. Things don’t go as planned since Cora kills a white boy as he tries to capture her. In addition, they travel to South Carolina – a state that may not be as friendly to black people as it seems. And finally, they are chased by Ridgeway – a relentless slave catcher. Nonetheless, Cora still embarks on the literal railroad to freedom.

I’m only about 50 pages in, and even though I’m having a hard time getting into it, I find it interesting so far. I’m in where the book explains Cora’s backstory in great detail. She became an outcast among her own peers through a combination of what her mother had done and what she had to do to ward off people from getting her land on the plantation. This is all to explain why she decides to escape. Because of this exposition, it’s pretty slow. That’s why I’m having a hard time being invested in the story thus far. I hope that will change once Cora and Caesar travel through the literal Underground Railroad.

We have now come to the end of the forty-first chapter of “What Am I Reading?”

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Firekeeper’s Daughter Book Review

Content warning: This review contains brief discussions on drugs and sexual assault.

A long time ago, I mentioned about the success of Where the Crawdads Sing and if the hype was worth it. With that book, I was mixed despite the praises coming from everywhere (but I still gave it 4 stars). Since 2018, plenty of popular books have come out and received not only glowing reviews, but lots of accolades. One of them was Firekeeper’s Daughter by Angeline Boulley, which was published in 2021. I saw that book on nearly every best list whether it was best titles by Native American authors, best YA novels, or best books of 2021. By the time I finished reading it, I understood the hype, and reader, it was worth it for a variety of reasons.

Firekeeper’s Daughter revolves around a teenager going undercover to help with a criminal investigation. Daunis Fontaine is a biracial, unenrolled tribal member and the product of a scandal. She feels like she could never quite fit in both in her hometown and on the near Ojibwe reservation. She dreams of studying medicine, but when her family is struck by tragedy, she puts her future on hold to care for her fragile mother. Then comes Jamie. Jamie is a charming new recruit for her brother Levi’s hockey team. As she falls for him, Daunis realizes that some things don’t add up and that he’s hiding something. Everything comes to light when she witnesses a murder, which thrusts her into the heart of a criminal investigation. Reluctantly, she agrees to go undercover. At the same time, she conducts her own investigation, utilizing her knowledge of chemistry and traditional medicine to track down the criminals. But the deceptions—and deaths—keep piling up and soon the threat strikes too close to home. Now, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she’ll go to protect her community, even if it tears apart the only world she’s ever known.

Before I go into my initial thoughts about Firekeeper’s Daughter, I want to say that I’ve been looking forward to reading it for a very long time. Its accolades go without saying, and I knew a lot of people who read and loved it. So why read it now? Well reader, back in March, I attended Spring Institute – a conference for youth librarians in the state of Michigan, and Angeline Boulley was a keynote speaker there. She was funny and wonderful to talk to. I even got a photo with her! In other words, she was the catalyst for me to FINALLY read Firekeeper’s Daughter!

I love how the book takes its time to establish its setting and most importantly its characters. Boulley’s descriptions of the various locations in Sault Ste. Marie, Michigan and on Sugar Island were clear and precise that I could imagine them right away. They also make me want to go to those places some day.

In addition, I really got the sense of who Daunis is and her relationships within the first 50 pages. She’s a science nerd who’s going through some recent trauma with her uncle’s sudden death. It doesn’t help that she feels that she doesn’t truly belong with either her white or native relatives. Establishing her character makes readers understand why she does the things she does even if some of her actions can come off as irrational. It also makes us root for her, especially when bad things happen to her like when one of hockey player’s dads rapes her in a hotel room.

Moreover, other characters feel very real too. Granted, there are lot of them, yet I had no trouble keeping track of them. I really like Lily – Daunis’s best friend. She is sex-crazy teenager who puts Daunis in her place, especially when the latter gets too science-y. She also has an on-again, off-again relationship with a guy named Travis who went to school with them. I won’t reveal the conclusion to that saga for those who haven’t read the novel yet. Then, there’s Jamie. At first, he is a cool, funny, and charming guy that I can totally see why Daunis develops feelings for. He has his secrets, and he hides them as much as she does. Let’s say that they go on a rollercoaster when it comes to relationship stuff.

While some people might complain about the slow beginning, once the murder happens, it moves at a brisk pace. Sure, there are times where the investigation stops, so Daunis can enroll in the tribe. However, I found that to be just as important as the research for her character. 

For the plot itself, I found it to be fine. I’m not much of a science person, so I didn’t fully understand chemistry when it came to making crystal meth. Luckily, the internet was there to help me out. As mentioned earlier, it slowly bloomed like a flower. I got more and more invested as more obstacles arose. While not everyone involved in the crime was punished, it didn’t bother me, for the book critiques the notion of privilege. Many of the characters are not surprised by the outcome.

And of course, I couldn’t complete this review without mentioning the references to Ojibwe culture. This is what makes the book stand out. Even though Daunis feels that she doesn’t truly belong in either with her white family nor her indigenous one, she still connects to the Anishnaabe community. For example, every morning, she gives a pinch of semaa at the eastern base of a tree by her house and prays to her ancestors to give her the strength for the day. Also, the novel sprinkles in some Anishinaabemowin – the language of the Anishnaabe people. All of these felt authentic since Boulley is part of the Objibwe tribe, and they are used in ways that don’t interrupt the book. Some of these even enhance certain aspects. For example, Daunis discusses the concept of the Gifts of the Seven Grandfathers – a philosophy, in which one can follow in order to live a good life. One of them is telling the truth. However, throughout the book, she has a hard time doing that, for she doesn’t want to make things worse for the people around her while she investigates the sudden drug-related deaths and has a “relationship” with Jamie.

Overall, Firekeeper’s Daughter by Angeline Boulley is a character study that’s worth the hype. It’s not a perfect book, but what works really works. The characters and references to the Anishnaabe culture truly make the novel stand out. I would recommend it to those who want to read books by Native American authors as well as who like stories about being caught in two different worlds, murder mysteries, and involve lots of science. It’s being adapted into a limited series on Netflix by the Obama’s Higher Ground Productions Company, and I can’t wait to see it! Who knows? Maybe I’ll do a review of the series.

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The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music Book Review

Full disclosure: I was given a free eARC copy of this book by NetGalley and Hachette Books in exchange for an honest review.

I’ve been excited to read books over the years. One can look at my review of Always Look on the Bright Side of Life: A Sortabiography by Eric Idle to see that in action. It’s been awhile since I’ve felt that way for a particular title. That changed this year when word got out that Tom Breihan – author of the “The Number Ones” column on Stereogum – was going to publish a book covering the most important number one hits on the Billboard Hot 100. Naturally, it’s called The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music. I had to read it. Now, what do I think about it? Reader, it was great because it analyzed those ditties in a condensed, informative way.

In The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music, Breihan takes 20 songs that hit number one on the Billboard Hot 100 and reveals how significant they were in shaping music trends. He looks at the historical context surrounding them and how they played a pivotal role in music chart history. Breihan features the greatest pop artists of all time like The Beatles, Michael Jackson, and Prince, and he gives musicians who never hit #1 like Bruce Springsteen, Bob Dylan, and James Brown their due as well.

When I was working as an Adult Librarian in Clarkston, Michigan, I was in charge of maintaining the music CD collection. This meant adding items to and removing them from the shelves as well as keeping up to date on the latest music news. One day, while I was looking at the latest stories, I came across “The Number Ones” column. In it, Breihan analyzes every number one hit on the Billboard Hot 100 since its inception in 1958, and he’s still in the early 2000s (in fact, today’s review was about “The Way You Move” by Outkast featuring Sleepy Brown). On the day that I discovered it, he was taking a look at Paul Anka’s 1974 number 1 song “(You’re) Having My Baby” (featuring Odia Coates (that’s not one of the tunes analyzed in The Number Ones book). After reading his snark-filled, but fully analyzed review of the ditty, I knew I had to read more. I’ve been a fan of Breihan’s column since.

The main difference between the column and this book is the tone. In the former, Breihan evaluates the chart topper in question with snark, sincerity, and complete bias (he’s fully aware that no journalism is wholly objective). That’s why he has rated songs like “Hotel California” a 4 and “We Didn’t Start the Fire” a 1. In the book, the tone is more academic and as balanced as it can be. This makes sense as the overall goal of the research is to see how each of the selected songs contributed to the evolution of pop music as we know it even if they’re not great. Also, in an interview with Billboard (surprise surprise), Breihan revealed that his father was a history professor. I wouldn’t be shocked if he was channeling his dad while writing his book.

As he discusses the #1 hits, Breihan also manages to find the time to write something about the most famous artists that never topped the charts. These get woven into the chapters on the number one tunes. During his chapter on The Byrds’ cover of “Mr. Tambourine Man,” Breihan mentions that Bob Dylan never had a number one hit, yet the cover ushered in the Hot 100’s acceptance of folk-inspired pop songs. Moreover, Bruce Springsteen’s biggest hit “Dancing in the Dark” reached #2 on the Hot 100 right behind another ditty selected for this book “When Doves Cry” by Prince, which reigned on top for 5 weeks and displayed how a musician could take their musical and artistic persona even further. Breihan proves that sometimes, it’s a game of chance of which artists obtain #1 hits or which one don’t.

As I mentioned earlier, the main strengths of the book are twofold. The first is that Breihan leaves no stone unturned when analyzing these tunes. For instance, when he talks about “Dynamite” by the K-pop group BTS, he goes into how American listeners embraced foreign language ditties as well as a brief history of K-pop’s attempts to break into the American music scene to set up the context of how the band managed reach #1. This is especially true when those songs are steeped in controversy. For example, the success of “The Twist” by Chubby Checkers mainly came by because its presentation had been diluted enough for a white audience in the early 1960s. And don’t get him started with how Berry Gordy Jr. screwed over so many careers at Motown as well as the legacy of Michael Jackson.

The second is that the information itself is condensed, but concise enough that readers won’t miss a thing while reading The Number Ones. Even though there’s plenty of detail about each chosen song, each chapter is no more than 20 pages. This makes reading the book digestible, especially for readers who have a rather limited time or a tight schedule.

Other reviewers have noted that it’s best to read this while listening to the songs in question. I wish I would’ve done that because it would’ve immersed me in the tunes more. Luckily, I’ve been correcting that by putting them on when I have some downtime, especially while I wrote this review.

The only complaints that I have are two factual errors Breihan makes in the book. In the “Ice Ice Baby” chapter, he discusses how that tune in question infamously sampled “Under Pressure” by Queen and David Bowie. In talking about who came up with the famous bass riff, he mistakes Queen bassist John Deacon as Roger Deacon (p. 209). I was disappointed by this not only because I’m a Queen fan, but also, he referred to the bass player correctly in his review of “Another One Bites The Dust” on Stereogum. Additionally, in the “Dynamite” chapter, Breihan points out how BTS had slowly climbed their way onto the charts without manipulating it. This included showing up on remixes like the Seoul Town Road one with Lil Nas X. Breihan incorrectly lists member Suga on that “Old Town Road” version when it really was leader RM on that track (p. 310). Despite these errors, I still enjoyed the book.

Overall, The Number Ones: Twenty Chart-Topping Hits That Reveal the History of Pop Music by Tom Breihan is worth the read. The author discusses how each of the 20 chosen chart toppers played a role in the evolution of pop music in an effectively informative and concise manner. I’m still surprised that he’s able to analyze every aspect of a song without being too long winded. I would definitely recommend this to music lovers, especially the ones who watch the Billboard Hot 100 on a regular basis and love Breihan’s “The Number Ones” column on Stereogum, as well as to those who enjoy reading about pop culture. The book is out now, so go take a look if you haven’t already!

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Britt-Marie Was Here Book Review

When an author achieves success, they sometimes repeat the same formula to capture lightning in a bottle twice. Personally, I don’t have a problem with this as long as the book is still compelling in other ways. This was the case when I read Britt-Marie Was Here by Fredrik Backman – his third novel. It takes what made A Man Called Ove work and applies to another interesting curmudgeon.

Britt-Marie Was Here is about a socially awkward, fussy busybody woman who has more imagination, bigger aspirations, and a warmer heart than anybody realizes. When she leaves her cheating husband, Britt-Marie finds herself in the town of Borg – a place where everything is closed except for a few places and a road. She becomes the caretaker of the soon-to-be-demolished recreation center. Eventually, she gets to know the various characters in the town like the citizens, miscreants, drunks, and layabouts. Surprisingly, she’s given the task to lead the fairly untalented children’s soccer team to victory. In a town full of misfits, will Britt-Marie find a place where she truly belongs?

For those who have read My Grandmother Asked Me to Tell You She’s Sorry, one may recognize Britt-Marie as the naggy woman who loves order and routine in the apartment building Elsa lives in. While the events of Britt-Marie Was Here occur after the ones from the former, the latter is more of a stand alone novel than a sequel.

As I mentioned early, Backman translates the core structure of A Man Called Ove to Britt-Marie Was Here. This includes a character study on a stubborn, possibly OCD older protagonist, who interacts with a colorful cast of characters that help them change for the better as well as their backstories being revealed through stream-of-consciousness. I can understand why he would do this since that framework worked the first time. However, since the follow-up was My Grandmother, which had a different formula, I was under the impression that maybe he would do something distinct from those novels. At the same time, Britt-Marie is a multifaceted character in her own way that I can overlook the retread.

Even though Backman provided a backstory for Britt-Marie in My Grandmother, he dives even deeper in Britt-Marie Was Here. Granted, to an outsider, Britt-Marie is still a nag-bag, but she slowly becomes more open, flexible, and independent as she continues to live in Borg. She even reveals more of her life with how invisible she felt by her parents after her sister died; how ungratefully she was treated by her ex-husband, especially how he never put his shirts in the washer; and how much denial she was in when the affairs were going on. Seeing Britt-Marie grow and realize how grateful the Borg residents are to her throughout the novel are the greatest satisfactions that the book gives because she definitely deserves to become the person she wants to be and the respect she gets. Although there’s not a whole lot of story, Britt-Marie is such a compelling character that I’m willing to look past that.

Additionally, like A Man Called Ove, despite the sadness, Backman still infuses humor to the situation. When Britt-Marie first arrives at the recreation center, she gets hit on the head with a soccer ball (uh, I mean football). Talk about first impressions, eh? Scenes like that one help to keep the lightness of the story.

Joan Walker narrates a Fredrik Backman audiobook once again. She brings an austere, but vulnerable vibe to Britt-Marie. Her foreign characters have vague, but appropriate accents. The volume issue that I mentioned in my review of My Grandmother is not as prevalent, but Walker has a tendency to voice the teens as younger than they should be. This is a disappointment, for she voiced Elsa – the 7-year-old in My Grandmother – perfectly. 

All in all, Britt-Marie Was Here by Fredrik Backman is a good novel by an author who’s repeating a formula that worked for him before. To some readers who’ve read his other novels, it may seem like a disappointment. To others, it’s still satisfying because the titular character is so memorable. I would recommend it to those who love Fredrik Backman and reading stories about characters who realize their full potential. Once someone reads it, they’ll remember Britt-Marie for a very long time.

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What Am I Reading – Chapter Forty

Hi Everyone!

I hope you all had a great Halloween! I sure did with seeing all the kids trick-or-treating in my neighborhood! I still have plenty of candy leftover.

I can’t believe that I’ve been doing this for 40 chapters! Before you know it, it’s going to be 50! I’ll have something planned for the latter!

In the meantime, I’ve been finishing plenty of books. I’m still reading The Number Ones by Tom Breihan, and I started two new books recently that I’d love to show you. You’ll see that these have something fascinating in common.

Let’s begin with our first title!

The Book Woman of Troublesome Creek by Kim Michele Richardson is about 19-year-old Cussy Carter – the last living female of the Blue People ancestry – who lives in Kentucky. In 1936, the lonely young Appalachian woman joins the historical Pack Horse Library Project of Kentucky and becomes a librarian. She rides across slippery creek beds and up treacherous mountains with her faithful mule Junia to deliver books and other reading material to those most in need in Eastern Kentucky. To the mountain folk, Cussy becomes known as “Bluet.” She confronts those suspicious of her blue skin and of the unique government program as well as befriends a cast of colorful (no pun intended) characters. Cussy is determined to bring comfort and joy, instill literacy, and give those who have nothing something that will take them to faraway lands.

This book is loosely based on the Blue Fugates – a family who were known to carry a genetic trait that led to the blood disorder methemoglobinemia, causing skin to appear blue. I never knew about this family nor about the aforementioned condition. So far, the novel itself doesn’t divulge into the medical history, for it’s more focused on how Cussy deals with prejudice and how she proves she’s a worthy member of society despite the unusual skin color.

At the same time, I knew about the Pack Horse Library Project of Kentucky that the Franklin Delano Roosevelt administration set up prior to reading this book. Not only did they allowed the less fortunate to obtain books and other reading materials, but they also provided jobs for women in the area. The back of the novel explains more of the history of this highly unique program, which is always necessary whenever an obscure event or organization is discussed in historical fiction.

I will automatically like any main character that’s a librarian, but Cussy is more than that. She’s willing to do anything for her patrons even if that means traveling through the toughest terrain that Eastern Kentucky has to offer. And yet, she’s a gentle and empathetic soul. The book can be a little too melodramatic in showing her struggles (ie her getting rapped by her now-dead husband and latter attacked by his perverted priest cousin), but it retains the emphasis on her survival as opposed to her suffering.

I’m curious to how the rest of The Book Woman of Troublesome Creek unfolds!

And now, here’s the second and final book in this chapter!

The Last White Man by Mohsin Hamid is a title that challenges readers to reimagine who they think they are in the future, and how they can come together. One day, Anders – a white man – wakes up to find that his skin has turned dark. At first, he tells only Oona – a friend turned lover. But soon, similar occurrences are reported across the country. Some find this to be the long-dreaded overturning of the established order, to be resisted until the end. To others like Ander’s father and Oona’s mother, it’s a sense of profound loss with profound love. As the bond between Anders and Oona deepens, it brings out a chance to see others, face to face anew.

Now, one may be wondering, “Emily, why are you reading this?”

Well, part of it is to get revenge on the television host who’s been espousing the Great Replacement Theory recently. I knew more of the plot after hearing that person talk about on their show one day. The other reason is that Lit Hub promoted the novel a lot when it initially came out, and I really liked the cover. It’s eye-catching (no pun intended).

I’ve only read about 50 pages so far, and I find the concept wholly unique. I don’t think I’ve read a book that involves white people having their skins turn dark. I’m sure there are horror and science fiction novels that deal with that scenario, yet I’ve never seen it play out in contemporary literature. Yes, there’s also the musical Finian’s Rainbow, in which one character – a U.S. Senator – turns black in order to learn the lesson of becoming a better person by not being a bigot (spoilers: he gets turned back to white at the end of the show). But in the case of The Last White Man, it’s not interested in telling people that prejudice is bad. In fact, Anders’s skin turns dark right on the first page prior to the readers knowing anything about him except being white.

Instead, it seems to be more fascinated with how this change will affect society as a whole, specifically how one navigates having dark skin and the perceptions associated with it. So far, no explanation has been given to why white people like Anders are developing brown and black skin, and it doesn’t seem like there will be nor does it imply will they return to their original “color.” This is a more reinvigorating take than “discrimination = bad.”

So far, I have one complaint about the novel: the run-on sentences. This is the first book that I’ve read from Mohsin Hamid, so I don’t know if this is a common thing in his work. With that being said, one sentence makes up one paragraph, and it can be very long. I wanted to see a period somewhere instead a bunch of commas. We’ll see how long I tolerate that aspect.

I look forward to reading the rest of this novel to see where this unique concept goes!

We have now come to the end of the fortieth chapter of “What Am I Reading?”

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The Outsider Book Review

Since today is Halloween, it’s inevitable that I will once again look at a book by Stephen King. This time, it’s his 2018 novel The Outsider. The best way that I can describe it is what if King wrote a 15-part episode of Law and Order: Special Victims Unit, Monk, and The X-Files in that order. Not all of it works, but it’s still a good read.

The Outsider asks the question, “What if someone was in two places at the same time?” In the town of Flint City, Oklahoma, an 11-year-old boy is found dead in the park. Eyewitnesses and fingerprints all point to one prominent figure: Terry Maitland – Little League Coach, English teacher, husband, and father of two girls. Detective Ralph Anderson, whose son was once coached by Maitland, orders a quick and public arrest. Maitland has an alibi, but Anderson and the district attorney have DNA evidence to back up their claims. The case seems ironclad, but as investigation continues, horrifying answers begin to emerge. In addition, what seems impossible is not quite so. Was Terry the real culprit, or was it someone else who looked exactly like him?

Let’s start off with the Law and Order: SUV part. The summary basically describes an episode of that series. In fact, I even imagined Ralph to be similar to Elliot Stabler in terms of temperament and impulse. The novel handles much of the investigation as one would if they watched a bunch of law shows. For example, in real life, no one from the force would arrest someone in public before all of the evidence was gathered and analyzed. Granted, Ralph does eventually regret that decision, but I feel that was done to get the initial plot going. In addition, the first third of the book focuses on every single detail of the investigation. So much so that the pacing slows down. This is highly evident in the scenes involving the interviews. It only gets interesting again when there’s an incident involving Terry and the victim’s older brother at the courthouse. Let’s just say that it’s similar to that of The Survivors Club by Lisa Gardner. Finally, sections involving how the media coverage affects the investigation as well as Terry’s wife and daughters were very intriguing. If this were solely a Law and Order: SUV episode, King could’ve spent more time focusing on how the media influences a verdict even when not all the evidence is available and analyzed, and it would’ve been fascinating. But, he didn’t because he wanted to introduce a character from a previous series and some supernatural elements.

Speaking of that person, let’s talk about Holly Gibney. She may possibly have OCD, is obsessed with movies, and has very specific ways of doing things. Despite her flaws, her attention to detail and ability to leave no stone unturned are her greatest assets. In other words, she’s a female version of the titular detective from Monk. Holly comes in around the halfway point, which is about 300-400 pages in the story, after Ralph discovers that there was a similar assault/murder in Dayton, Ohio. She was previously in the Bill Hodges trilogy, and The Outsider is the first book in her own series. I’ve not read any other King book besides Rose Madder, so this was my introduction to her. Readers like myself who haven’t read the Bill Hodges series might not quite understand the hints to her backstory, while for those who have, they will probably be delighted with the callbacks. As for Holly herself, some people might find her to be two-dimensional, mainly defined by her quirks, and annoying after a while. I personally didn’t find her that way because she reminds me of me in a variety of ways. Sometimes, the strongest and bravest people are the ones that people least expect, and that’s what Holly represents. I also liked the rapport between her and Ralph as the investigation went on.

Finally, let’s talk about The X-Files section. Like with Holly, this gets introduced at roughly the halfway point of the story. This would’ve been stronger if the supernatural elements came in much earlier in the story since this plays an important role. I get that the book’s cover is supposed to suggest a creature beyond our normal understanding will grace the pages, yet it should’ve factored into the plot more than it already does. I won’t tell you what it is (readers will have to find this out for themselves), but I will say that all it took to destroy it was a blackjack hidden in a sock. This might sound cool, but after a long conversation between Ralph and the creature and how the former shouldn’t kill the latter made the climax underwhelming. In addition, the monster and what happened to it was simply creepy. It didn’t scare me at all. Normally, this wouldn’t bother me, yet this is written Stephen King of all people. He has scared people and put them in terrifying situations while reading his books. I felt that way while reading Rose Madder, but not here. Maybe if the creature arrived much earlier in the novel, then maybe I would’ve felt more unsettled. It doesn’t help that Ralph has nightmares about the monster after all was said and done in the many endings that rival that of The Return of the King. This plot is already insane by having the supernatural element there in the first place. King could’ve gone further by incorporating that aspect more.

As for Stephen King’s overall writing style, it’s what one expects from his work. However, I got annoyed after he mentions the same descriptions over and over again. For example, King describes district attorney Bill Samuels with a cowlick similar to that of Alfalfa’s from The Little Rascals. At first, this was amusing. Then, it became cute. After that, I was shouting, “Ok, I get it!”

Furthermore, King adds some weird details in this book. This is especially true when he mentions Holly’s small breasts and Jeanie’s – Ralph’s wife – nipples in parts I least expected. They simply took me out of the story.

Will Patton narrates the audiobook. He has appeared in films like Remember the Titans and Armageddon as well as television shows like Yellowstone. Additionally, he has recorded several audiobooks for books like Killers of the Flower Moon and for authors like James Lee Burke and, yes, Stephen King. In fact, Patton has done the Bill Hodges trilogy as well as the second title in the Holly Gibney one If It Bleeds. His performance was full of strong choices even if there were some misses. He gives Ralph determination, which can be impulsive at times, while he provides Holly a mousy-like voice along with strange inflections. My personal favorite was his readings as Luvie Bolton. He gives her a big, but strained voice that one could recognize miles away. This interpretation perfectly aligns with the minor character as she, in her declining health, carries an oxygen tank with her at all times. I also want to add that Patton does a great job staying in character even when he’s not reading dialogue. This is most apparent when Jeanie first encounters the outsider.

There are only two things that I had to complain about. One of them is that his Mexican characters tended to sound stereotypical. I say this even though there’s an effective bit in the book, where the characters watch a Mexican movie with Speedy Gonzales-like English dubbing. The other is that I had to adjust the volume so many times in order to hear what Patton was saying as well as prevent my ears from getting blown off. He gets very quiet in certain places and then becomes loud in a matter of seconds. I had a similar issue with Eric Idle’s performance in Charlie and the Chocolate Factory audiobook.

In summary, The Outsider is a bloated, but interesting book in Stephen King’s body of work. The novel would’ve been better if he had picked one or two ideas at most and run with those as opposed to trying to incorporate three of them at the same time. On the other hand, in true King fashion, it’s so insane that it kept my interest going until the very end. I would recommend it to those who are already Stephen King fans as well as for those who love horror, supernatural elements, and reading about murder investigations. Although it’s not among his classics, it’s definitely worth checking out.

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The Night Circus Book Review

Have you ever read something that was so enchanting and baffling that you needed some time to think about it? That recently happened to me when I finished The Night Circus by Erin Morgenstern. At first, I wasn’t sure what to think about it. Now, I realize that it’s full of wonder and enhancement, but I wish I cared about it more.

The Night Circus is about many things. First and foremost, it centers on the titular object that arrives without warning. Called Le Cirque des Rêves (or The Circus of Dreams), it contains black-and-white canvas tents and breathtaking amazements, yet it’s only open at night. Behind the scenes, there’s a fierce competition between two young magicians named Celia and Marco. They’ve been training for this purpose since they were young and by their mercurial instructors, but unbeknownst to them, only one can be left standing. Things get complicated when they fall in love. However, the game must play out, and everyones’ fates from the performers to the patrons hang in the balance.

Morgenstern apparently wrote this novel over three years during National Novel Writing Month (aka NaNoWriMo), and I can tell. This book has a non-linear structure, for it tends to jump around in the timeline. Some people may be irritated by this, but I was fine with it since the novel’s subject is about something that’s unique and follows its own set of rules like how the developers don’t age. Hence, its structure does the same.

Speaking of unique things, the world-building of the circus was exquisite. From the moment the circus first arrives, readers are immediately taken into its multiple tents, how it’s only open from sunset to sunrise, and how it only contains performers that can’t be found anywhere else. I could easily understand why it would have people following it all the time and why the book is being made into a movie at this time (even though no new information about the adaptation has arrived since 2019). And of course, more mysterious things associated with the circus reveal themselves as the novel progresses. The descriptions of the various elements including the physical circus itself were impeccable. I could easily imagine a lot of things from the black and white tents to how the characters look. I’m going to be honest. In my mind, Widget and Poppet – the Murray twins – looked like Ron Weasley. It works in mysterious ways.

I liked the characters. All of them have their own backstories and defined personalities. On the other hand, much like the movie Dunkirk, the book doesn’t spend much time with each character before moving on to another, yet it comes back to them eventually. However, as the book progressed, I couldn’t get myself emotionally attached to them until the very end. Part of this is because the novel is written in third person, which basically contains a narrator, who’s completely detached from the story, telling it.

Another thing is that the plot gets confusing towards the end. I understand that Marco and Celia want to be together despite the competition forcing them apart, but how did they defy the odds? What made them vanish? Also, who put out that bonfire? I guess it’s something that I have to reread in the future.

Jim Dale narrates the audiobook. For those who don’t know him and/or haven’t read the Harry Potter audiobooks, Dale is a world renown actor, composer, director, and singer, songwriter, narrator. He’s won a Tony for his role in the musical Barnum and several Audie awards for various audiobooks like Peter and the Star Catchers and the aforementioned Harry Potter series. He’s even been nominated for an Oscar for the title song for the movie Georgy Girl (he wrote the lyrics). In other words, he’s a big deal.

Now, you’re probably wondering how he’s narrating The Night Circus. He’s good. He makes his characters distinct with little touches. For example, Celia’s instructor and father Hector Bowen displays eccentricity and a slight Northern English accent, while Chandresh Christopher Lefèvre – the owner of Le Cirque des Rêves has a similar vibe but with a more posh voice. He also narrates Poppet and Widget with well-articulated Scottish accents. The main complaint I have with his performance is that he makes the younger characters sound too old. For example, when readers first encounter a 19-year-old Marco, Dale makes him sound like at least 20 years older. Of course, as Marco gets older, the voicing makes more sense. 

All in all, The Night Circus by Erin Morgenstern is a unique magic realism novel. Its world-building and the characters are well defined. On the other hand, the third-person point of view made it a little hard for me to be fully emotionally invested in the story, and the plot could be confusing if one doesn’t pay full attention. I would recommend it to those who like magic realism as well as reading about circuses and forbidden love. I wonder how the movie will translate the novel to the screen if it ever gets there. We’ll see how that goes.

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