Old White Man Writing Book Review

Full disclosure: I was given a free advance reader copy of this book by Book Publicity Services in exchange for an honest review.

Over the years, I’ve read plenty of books that are undeniably unique, as they contain unusual storytelling methods. Anything from John Marzalkowski comes to mind as some of the best examples. However, there are others that are not as effective. Today’s subject Old White Man Writing by Joshua Gidding sounds like it could be something that interests and humors people, especially written by a man exploring his privilege. However, he fumbles the execution by doing too much and with a weak structure.

Old White Man Writing is a memoir about an old white man analyzing his life and the societal and cultural changes in the twenty-first century. As the author examines his privileged background, he explores his relationships with some of the people of color in his life and begins to address his white guilt and complex feelings that have arisen from an uneasy racial conscience despite being left-leaning. The events and reflections are conveyed through two characters. One is the author himself, who is an unreliable narrator in his own story, and the other is a fictional alter ego Joßche (or Jossche), a German literary biographer with a titanium membrane in his skull-the result of a childhood bicycle accident. With his commentary, Joßche keeps the author honest (at least he tries to), giving way to rather surprising results at the end. Ultimately, the readers and the two Joshes face a question, whose roots run deep through our contemporary culture: In an age of increasing diversity, who gets to have a biography, who doesn’t, and why?

Let’s start off with some good things about the book. The first is undoubtedly the premise itself. We certainly need more old white male authors examining their privilege, and he is more than willing. He does this with plenty of self-deprecating humor. I especially enjoyed the back and forth with Joßche. Joßche provides some good kicks to the author’s rear end. Moreover, I like how even though he claims he’s a progressive, he bravely admits that he has said and done insensitive things like gawking at a black man at a restaurant when he was a kid and flashing a group of black girls at college. In some ways, he reminds me of my husband and his friends.

The author is also not afraid to be sincere. The best part of this memoir was reading about his wife Diane’s battle with cancer and her eventual death. I could feel how much the author loved her and how hard he felt her loss. When he met Diane, he was going through a depressive episode, and she lifted his spirits. In turn, he became the best husband and father that he could be. After her death, the author tried to have a relationship with a Chinese-American woman named Mei-Li, but it didn’t work out. He does eventually find love again with a woman named Julie. I wanted to know more about that particular relationship. Regardless, I invested in his quest to find love again.

With all that being said, I had a hard time getting into it. It felt like the author wanted to introduce every possible theme all at once at the beginning instead of letting them play out naturally. This included his exploration of his white privilege, his bouts of depression, and Joßche. Speaking of Joßche, I didn’t have that much of an issue with him interrupting the author, for it’s set up well although I found the ending to be more a thud.

In addition, I was not a fan of the structure. It’s written in three parts with several sections. This could have worked if it was a one-man show performed live. But because it’s written, it should have been organized in a simpler way to offset the memoir’s ambitious nature. For example, John Marzalkowski’s work, especially Buy My Book: Not Because You Should, But Because I’d Like Some Money, is really absurd. To balance that out, he has them in chapters to make them more digestible. This structure would have been beneficial to Old White Man Writing, especially when introducing its many themes.

Old White Man Writing by Joshua Gidding is a decent memoir. Although there was plenty of humor and sincerity in examining Gidding’s privilege, the structure was wonky, and Gidding felt the need to introduce every theme all at once. These made it difficult for me to get into. That’s why I was invested in some parts, but not the whole. I will give it this: at least he’s not on his high horse unlike the author in the other book that examines white privilege I’ve reviewed for this website. If I had to recommend it, it would be to old, white readers, especially if they studied Latin and/or German (Gidding knows plenty about those languages). While Old White Man Writing is certainly unique, it could’ve been better.

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A Chain of Pearls Book Review

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Full disclosure: I was given a free advance reader copy of this book by Author Marketing Experts in exchange for an honest review.

I’ve covered a lot of mysteries on this website. They usually contain a similar formula of trying to find who and why someone committed the crime. Recently, I’ve been finding myself more drawn to the characters and their relationships in these mysteries. If they are done well, readers will keep coming back to them. A good example of this is A Chain of Pearls – a novel by debuting author Raemi A. Ray. It contains a memorable character trying to find out what happened to her estranged father in Martha’s Vineyard.

A Chain of Pearls is the first book in the “Martha’s Vineyard Murders” series. When the body of a respected journalist turns up on the shores of Edgartown Harbor, the official report rules it as an accidental death. But, why was he alone on a senator’s yacht during a nor’easter? That’s the first question London-based lawyer Kyra Gibson has when she arrives on Martha’s Vineyard to settle her estranged father’s affairs. She isn’t looking for closure. In fact, she hasn’t seen him in decades since he left her with her aunt after her mother died. But as Kyra digs deeper, she discovers that he had many regrets and wasn’t as retired as she believed he was. The more Kyra finds out, the more questions she has. With world-weary detective Tarek Collins, they uncover a web of intrigue and corruption involving a powerful senator, a dubious energy company, and a brutal murder. As they chase down clues, Kyra and Tarek face danger and race against time to solve the murders and uncover the secrets lurking beneath Martha’s Vineyard’s picturesque facade.

The mystery was well done. It contained some twists and turns as well as a finale that had me on the edge of my seat. There were plenty of red herrings too, so I was pondering who did it until it was revealed at the end. I didn’t mind that Kyra – a private citizen – was actively helping the police with their investigation because of how it personally affected her. Granted, she does some stupid things that impact the search and her relationship with Tarek, yet it still works out in the end.

Additionally, I enjoyed the environment. Ray made Martha’s Vineyard, specifically Edgartown, a character in of itself. It’s a cool coastal town filled with colorful characters like Grace and Charlie – the lesbian couple that Kyra’s father knew. There’s also the back and forth between the summer people and the native islanders. Most importantly, the descriptions are exquisite. I know that many reviewers have discussed this aspect prior, but they truly made me feel like I was there on Martha’s Vineyard with Kyra and the rest of the cast. I could even feel the brisk wind on the island. I can easily see why Kyra’s dad resided there.

I truly knew I would be intrigued by A Chain of Pearls when I read its synopsis of a woman dealing with her late estranged father. This personal conflict forms the backbone of the story, and it’s easily the best part. Because of how her dad abandoned her after her mother passed away, Kyra has a hard time trusting people and developed a hardened heart. She reminded me of Emma Swan from the television show Once Upon a Time as both have trust issues and make plenty of wise cracks. I could imagine Kyra with a red leather jacket similar to what Emma wore in the series. In addition, both find themselves working with detectives to solve a mystery in a remote town in New England. I enjoyed the banter Kyra has with Tarek the investigator. I kind of wondered if they were going to get together, but the mystery was still at the forefront.

I love how Kyra’s personal conflict is woven into the entire plot. As she searches for clues, she discovers how much her father talked about her and kept some of things she made while she was a child. It makes her realize that he cared about her more than she gave him credit for. I won’t spoil it, but I have to mention that the culprit has their own problems with their family that may or not be similar to Kyra’s.

A Chain of Pearls by Raemi A. Ray is a great mystery series debut. It has a good mystery that was filled with twists, turns, and a great climax. Raemi also does a fantastic job with the sense of place as readers like myself were able to imagine ourselves there. Above all, Kyra and her personal conflict are magnificent. They add plenty of dynamics to the story and absolutely make the book worth reading. I would recommend it to readers who want more character-based mysteries like the “Armand Gamache” series by Louise Penny and novels set in Martha’s Vineyard. I can’t wait to read the rest of “Martha’s Vineyard Murders” books.

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Adapt Me Podcast – The Moth Keeper

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Hi Everybody!

The latest episode of the Adapt Me Podcast is up right now. In it, bookstagrammer Alyson Wick and I discuss how we would adapt The Moth Keeper by K. O’Neill into an animated short film. We talk about the book’s illustrations and themes of community and burnout. Also, we discuss the beauty of translating graphic novels into different mediums, especially as a way to get them more exposure. Check it out at this link!

In the meantime, I have a review of the book itself, so check that out too!

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Snow White and the Three Stooges Movie Review

Content warning: this review contains spoilers.

In the last 5-10 years, the entertainment industry has revived successful intellectual properties. These have resulted in sequels, prequels, remakes, retellings, mash-ups, etc, and many are things that the audience didn’t ask for, yet they will see the product in question, which results in money for the companies. As much as people complain about this, there’s one thing to note: this has been an issue in Hollywood for a long time. Since the Disney live-action remake of Snow White is out now, I will take a look at a forgotten 1961 adaptation of the beloved fairytale Snow White and the Three Stooges – a flawed, but delightful film directed by Walter Lang that stars a well-known athlete at the time and a famous comedy group.

This is the part where I describe the plot, but since it’s Snow White, I assume most people know the fairytale. However, I will still list the storyline as told by IMDB:

“Based on the classic fairy tale, Larry, Moe, and Curly Joe (the Three Stooges) substitute for the Seven Dwarfs while the princess Snow White (Olympic figure skating champion Carol Heiss) is forced to flee from her jealous stepmother, the queen (Patricia Medina), who takes drastic steps to insure that Snow White never gains the throne.”

Snow White and the Three Stooges stars a famous athlete, which was a trend in movies from the 1930s to the 1950s. These films would revolve around the sportsperson in question and have scenes for them to demonstrate the sport they excel in. It didn’t matter if they could act, audiences came to see the athlete do their thing. Twentieth Century Fox had a string of hit movies in the late 1930s and early 1940s starring figure skater and Olympic gold medalist Sonja Henie.

Years later, they decided to replicate that success with figure skater and Olympic gold medalist Carol Heiss with this film. I will give credit to the flick. If there was a sport that makes sense to Snow White, it would be figure skating because it’s associated with winter – the season in which she was born, and it exemplifies the beauty of the skater in question. Heiss is wonderful on the ice, and the skating sequences are some of the best scenes in the movie. I only wish that they were more integrated into the plot, for the film simply stops just to show off how talented Heiss is. To be fair, these athlete-starring flicks already have low expectations, so Snow White and the Three Stooges sticks the landing in that regard.

How is it as a Three Stooges film? Well, it’s lame and sanitized, and this is coming from a Three Stooges fan. This is due to the state in which the trio were in. They experienced a level of fame that they never had before after their shorts were released to television in the late 1950s. With great popularity came controversy when parents started complaining about the amount of violence the shorts had. If one hasn’t seen them, let’s just say they put the slap in slapstick. This personally affected the Stooges, who decided to decrease the violence in their act. The lack of slapstick and the amount of screentime the group go are often cited by fans as the reasons why Snow White and the Three Stooges is considered the worst of the feature-length films that they did with third stooge Curly Joe DeRita from the late 1950s to the mid-1960s.

Even as a kid watching this, I thought that what the Stooges did in this film was lame. They were trying too hard to appeal to a child audience. This is ironic because there are some violent scenes like a supporting character who dies after falling into a pot of boiling water and the Queen (disguised as the witch) is killed by crashing into the side of a mountain. In addition, the trio only appear in half the movie. Nonetheless, I will give the movie credit. Casting them as the dwarf substitutes is inspired because Moe, Larry, and Curly Joe are naturally short and would work with foils that were at least a head taller than them. Also, their interruptions of the prologue and the food fight in the castle made me laugh. Despite that, the Stooges are past their prime, and their comedy is too sanitized.

Now, how is it as a Snow White adaptation? Snow White and the Three Stooges does some unique things, but I question others. For starters, even though Carol Heiss is great when skating, her acting leaves a lot to be desired. Now, as I mentioned earlier, there are already low expectations when an athlete stars in a movie. The problem is that she’s portraying a famous fairy tale character, which comes with its own set of standards. Yes, Heiss looks the part of Snow White with her dark wig (she’s a natural blonde) and pale skin and can do the overly dramatic Disney princess pose when it’s called for. However, she has a stone face for a good chunk of the movie. This is especially true when she’s in the prison cell. I swore that she didn’t blink during that sequence while singing “A Place Called Happiness.” On the other hand, Heiss is likable enough, so it’s not a complete bust. 

I’m wishing in a cell. Also, what is up with those prison bars?

Patricia Medina as the Queen is fabulous. Many actresses playing that character would often emphasize her powerful nature. Medina does that, but she channels the truly petty side. After all, the Queen wants to kill Snow White because her step-daughter is more beautiful than her. I can’t think of anything more deranged that came out of something so trivial (at least to modern viewers). Medina has a commanding presence without being too cartoonish while showing off her gorgeous wardrobe.

Edson Stroll as Quarto aka Prince Charming is great. He gets along with the Stooges well and has a good chemistry with Heiss, which helps because they do have plenty of scenes together. Above all, he’s handsome and well…charming. Also, in this adaptation, Charming doesn’t know that he’s a prince because he was raised by the Stooges after they rescued him from being murdered by the huntsman when he was seven. This is a weird choice, but it stands out from other Snow White versions.

Another unique aspect that Snow White and the Three Stooges has is the character of Count Olga. He’s the advisor to the Queen (and definitely her full-time lover). Count Olga is the one who helps her plan to kill Snow White. Guy Rolfe plays him as astute and ruthless when needed. Most importantly, Count Olga carries a sword that grants three wishes to anyone who holds it. Why? I’m not entirely sure. It eventually gets into the hands of the Stooges, and it made me ask a bunch of questions about the limitations.

The biggest problem with the movie is the pacing. It trots along with scenes that didn’t really need to be there. People more than likely know the story beats in Snow White. In this adaptation, it takes a long time to get to them. The live action version of How the Grinch Stole Christmas has a similar problem. When Snow White and the Three Stooges does get to those beats, they are underwhelming and sometimes awkward. For example, when Snow White runs through the forest after the huntsman tells her about the Queen’s plot to kill her, it’s trying so hard to be like the similar scene in Snow White and the Seven Dwarfs except it’s not scary at all. This is especially true with how Heiss awkwardly handles the tree branches. Lang should have known better about the pacing since he directed the 1956 movie version of the musical The King and I. And yet, this would be the last film he ever made.

How does the Snow White aspect of this movie play into corporate synergy? Well, during the 1950s, there were plenty of fairy tale adaptations that were done in Cinemascope to make them look more epic. These included The Glass Slipper (1955) and the Disney animated Sleeping Beauty (1959). Producer Charles Z. Wick – who would later head the United States Information Agency during the Reagan Administration – and Lang had plenty of faith in this film that its budget was $3.5 million ($36,908,143.81 in today’s money). This resulted in a production design that was decently lavish, especially with the castle and the ice skating sequences. Moreover, it has a nice score even though the songs sound all the same (except for “Because I’m in Love” since that’s partially sung by Mel Blanc as Quinto – Charming’s puppet – in his Bugs Bunny voice).

Snow White and the Three Stooges is perfectly fine. It works decently as a flick starring an athlete due to low expectations and how Heiss is a great figure skater. As a Three Stooges film, it’s not as bad as fans make it out to be, yet it could’ve worked better if the trio were making this in their prime and not so concerned about the slapstick. As a Snow White adaptation, it’s mostly ok due to the acting, the weird choices, and pacing. I would only recommend it to curious diehard Carol Heiss, Three Stooges, and Snow White fans. While it doesn’t reach the heights of Snow White and the Seven Dwarfs, I still want to watch this movie over the newly-released live-action Snow White anyday. You can even see it at this link.

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The Moth Keeper Book Review

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I’m not going to lie and say that I haven’t experienced burnout while working on this website. I read many books at once, and I have to balance that out with my full-time job as an archivist, doing my share of the chores at my home, and raising three cats. Sometimes, it can be lonesome. Luckily, I came across a book that spoke to me about that. It’s called The Moth Keeper by K. O’Neill, and it’s a fantastic middle-grade graphic novel with its beautiful illustrations, memorable characters, and the themes of burnout and community.

The Moth Keeper is about a newly-appointed Moth Keeper who wants to see the sun for the first time. Anya is finally a Moth Keeper – the protector of the lunar moths that allow the Night-Lily flower to bloom once a year. It’s a position that holds great responsibility and honor. Her village needs the flower to continue thriving, and she is excited to prove her worth and give thanks to her community. However, being a Moth Keeper isn’t exactly what Anya thought it would be. It involves long nights in the cold desert, and the moths reside far from the village. She is isolated and lonely. Despite her dedication, Anya wonders what it would be like to live in the sun and bask in its warmth. She increasingly obsesses over it, and when she takes a chance to stay up to see the daylight, her village and lunar moths are left to deal with the consequences.

The illustrations are a key part of any graphic novel since they bring the story visually to life, and the ones in The Moth Keeper do just that. It utilizes a lot of warm colors like orange, blue, pink, purple, and gray for both daytime and nighttime scenes, but they are the most striking in the latter. I was also amazed by how many scenes where there’s little to no dialogue. O’Neill clearly knew that the visuals were strong in both the backgrounds and the characters. I could feel the isolation and anxiety Anya feels whenever she has to perform her job as well as the worry and support from people like her friend Estell and her mentor Yeolen.

Speaking of the characters, O’Neill does a great job with developing them, physically and mentally. Each is designed to look like a combination of a human and an animal. For example, Anya appears to be a regular human being, but she has fox ears. I understand that this is a trademark of O’Neill’s illustrations. I enjoy that because every character has a unique look with different animal body parts, a variety of skin colors, and are sometimes in same-sex relationships. They also do a fantastic job with fleshing out each player in the story. Anya wants to be the best moth keeper not only to give back to the village that helped her through hard times, but also to try to overcome her fear of the dark because her mother left her alone in the middle of the night. In addition, Yeolen – the previous moth keeper – knows how taxing the job is, so he attempts to offer assistance to Anya while respecting her independence. His partner Aimoss doesn’t always understand what Yeolen went through, but he’s always there for him.

The strongest aspect of this graphic novel are its themes of burnout and community. Right from the start, I knew what kind of environment they were in, and it’s one that I wanted to be in. They were supportive of what Anya was doing. Each villager, especially Yeolen and Estell, attempt to assist her in making sure she doesn’t get burnt out. She didn’t always ask for help, so it could be hard for them to know if she needed it or not. When something goes awry with the lunar moths, each of them expresses sadness as Anya passes by, yet they don’t blame her. As Yeolen said, “We all let you down.”

The Moth Keeper made a great argument for the need for community in combating burnout. Yes, I know that this is technically meant for a young audience, but even children can feel overworked. Burnout affects all ages.

If I had one nitpick, it would be that it takes about half the book to get the plot, as in Anya wanting to know what it’s like to be in the daytime. Don’t get me wrong, I enjoyed the world building with the origin story of the moon spirit and of the girl who could only be happy when the moon was full. However, I think the author could have gotten to the main conflict quicker. 

The Moth Keeper by K. O’Neill is a great graphic novel that tackles burnout and community. The illustrations are wonderful to look at, especially how it utilizes a warm color palette to tell the story. The characters have unique designs and clear motivations. The best thing about it is how it handles burnout and community by making everyone an active participant in ensuring that Anya wasn’t feeling too stressed out. I love that each person is all for the collective as opposed to about themselves. I would recommend it to readers of all ages, especially those who love graphic novels, moths, animal-human hybrid characters, and community-focused stories. If you know someone who might be experiencing burnout, give The Moth Keeper to them. It might be able to help them out.

Before I go, I want to let everyone know that I have recorded the latest episode of the Adapt Me Podcast. Returning guest Alyson Wick and I talk about how we would adapt this novel into an animated short film. Keep an eye out for the link.

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Golda’s Hutch Book Review

Full disclosure: I was given a free advance reader copy of this book by Books Forward in exchange for an honest review.

Content warning: this review mentions sex and BDSM.

I’ve mentioned in the past that I’ve read strange novels. Many of these are bizarre in a variety of ways, but today’s book is not that at all. It’s simply different because of how it tackles the plot. I’ve never read a novel like it at all. What title am I talking about? It’s Golda’s Hutch by Robert Steven Goldstein – a good novel about desire, politics, and power in late 1990s San Francisco.

Golda’s Hutch is about an executive of a technology firm and how certain people try to oust him. Craig Schumacher is not your average boss. He’s a gentle spirit, a vegetarian, does yoga with a rabbit named Golda, and values connection over competition. However, beneath his calm exterior lies a secret that he works to keep hidden. Enter Byron Dorn – Craig’s  employee and chaos incarnate. Crude, impulsive, and driven by envy, Byron is excited when he and his wife Adele stumble upon something that could possibly bring Craig down. But when Byron enlists another couple into his schemes, things get more complicated. Yet, Craig isn’t the only one with secrets. As the stakes rise, everyone will have to decide what they’re willing to sacrifice to get what they want and when they’re willing to walk away. 

When reading Golda’s Hutch, one of my first thoughts was how much it reminded me of Macbeth. That play and this book involve ousting a person in a high position and tackle the same themes of desire, politics, and power with similar gusto. The main differences are the locations and the pacing. The play takes place in medieval Scotland, while the novel is in late 1990s San Francisco. In terms of pacing, Macbeth moves fairly quickly with the main character killing the king early in the second act. Meanwhile, Golda’s Hutch proceeds at the same pace as Hamlet, where it takes the entire play for the protagonist to murder the monarch/his uncle/stepfather. The final difference between them is that the play is plot-driven, while the book is a character study of six different people.

Despite Golda’s Hutch’s thin plot, there was a lot to admire about the book. The characters were memorable in their own ways. Craig is not like most business executives, yet he doesn’t brag about it. Byron is the complete opposite by being an alcoholic and, wait for it, a meat lover! The supporting characters are just as wonderful. My favorite was Justine, whose husband Nigel gets roped into Byron’s schemes. She works as an embalmer and forms connections with the corpses she treats. Justine was quirky in a way that felt natural. 

While all the characters have unique traits, they have two things in common. The first is their love of food. They’re eating all the time from pepperoni to eggplant bruschettas. In fact, each chapter is named after a food that the characters consume. I was on the hunt finding when those edibles were going to be mentioned. It added to the uniqueness of the novel. 

The second is that they all hold secrets. Craig’s is the one everybody focuses on, but there’s another one he has. His wife Shosanna is a dominatrix. While he is comfortable with the lifestyle she has, he doesn’t like that she has sex with another male client on occasion. She encourages him to have other partners although it’s clear that he doesn’t want to. Others have demons as well. Byron has panic attacks whenever he thinks of the choices he made and didn’t make. This humanizes him to some degree. Each one has a hutch that they want to keep shut.

Even though it’s a good book, I have two complaints. The first one involves the plot itself. I’ve already mentioned how thin it could be, but let me explain more. Not much happens on the page despite it being a story about bringing down a so-called powerful man. Like Hamlet, Byron likes to take his sweet time formulating his scheme. It also doesn’t help that major developments sometimes happened off the page. I forgave these because of how good the character work was. It was more interesting seeing Craig, Soshanna, Byron, Adele, Nigel, and Justine interact with each other and other people.

The other problem I had with it was the ending. Some reviewers have pointed out how it didn’t end with a bang, and I agree. Everything prior seems to indicate that readers were in for a big climax. Technically, something highly dramatic happens, but not to the character one would expect. It was less of a bang and more of a “Oh!”

But, these are only nitpicks.

Golda’s Hutch by Robert Steven Goldstein is an interesting novel. It evokes Shakespeare with how elevated the situation is without making it too obvious. The best thing about it was the characters, who were clearly defined, and despite how different they were from each other, Goldstein was able to bring out their similarities like their love for food and their secrets. I would recommend this to readers who like books that take place in San Francisco, heavily utilize food, involve overthrowing people in power, and the BDSM community. Golda’s Hutch will be out tomorrow, March 11, so go check it out wherever you get your novels.

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El Deafo Book Review

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When I started at my first librarian job in Clarkston, Michigan, I discovered that some of the patrons were Deaf. Some knew American Sign Language (ASL) more than others, and I wanted to learn that. Since then, I’ve taken two ASL and one Deaf culture class. I also take the time to read about those who identify as Deaf/deaf whenever I can, so I can gain a more thorough understanding of that community. Why am I telling you all of this? Simple, it’s because I read El Deafo by Cece Bell. It’s a humorous graphic novel memoir about the author’s life as a deaf child.

El Deafo is about Cece and her life growing up as hearing impaired. At age 4, she lost her hearing due to meningitis. At first, things were good as she was enrolled in a school, in which every kid in her class was deaf. However, when her family moves to a different town, she’s sent to a hearing school. It doesn’t help that she has to carry around a giant hearing aid strapped to her chest. Cece thinks that people are staring at her Phonic Ear – the powerful aid that will help her hear her teacher. It also repels potential friends. Soon, she discovers that her Phonic Ear can hear the teacher anywhere in the school. With this superpower, she soon becomes El Deafo! At the same time, this makes her feel even more different and lonely. Can Cece channel her powers into finding the thing she wants most, a true friend?

There are many things that I adore about this graphic novel. One of them is how funny it can be. For example, whenever Cece is in a difficult situation, she imagines herself as a superhero fighting off various villains. At one point, she’s at a sign language class that her mom made her go to. As she’s imagining fighting her motherly nemesis, she actually kicks her parent in real life. 

I also like how others’ reactions to Cece are handled. Throughout the novel, she comes across people who react to her in different ways. One friend Ginny talks extremely loud and slow even after Cece tells her not to do that. Another potential pal starts doing sign language when she notices Cece’s hearing aid, yet Cece herself never really learned it. (Side note: the real Cece Bell admitted that she’s not a part of the Deaf community for a variety of reasons. Since she’s not a part of that culture, that’s why I refer to her as the lower case deaf as opposed to the upper case Deaf.) When Cece actually obtains a true friend with Martha, a tree branch wacks into the former’s eye. The latter, thinking that she was responsible for the injury and making Cece blind, avoids her deaf friend. A lot of these people have good intentions, but their preconceived notions about disabled people only makes things more difficult for Cece to make a true friend.

Additionally, the illustrations and speech bubbles emphasize certain aspects of being deaf. For starters, the panels often rely on close ups to focus on the reactions of Cece and other characters. This makes sense as she was taught to lip read from an early age. With the speech bubbles, they reinforce the difficulty that Cece faces while communicating with others. When she initially loses her hearing, the words begin to fade. When she’s getting tested, the speech bubbles have no text in them. When she’s not wearing her big hearing aid, the words look gibberish.

Moreover, I like how it’s a story about acceptance. Cece struggles to believe that being deaf is anything else besides different. She has a hard time making friends because of her belief that people will stare at her giant hearing aid. It also doesn’t help that when she did, they didn’t always treat her as the pals she deserved. By the end, when she applies her superhero imaginations to real life, she realizes that being different can be a good thing.

Most importantly, I found Bell’s decision to portray everyone as rabbits wonderfully inspired. The body parts that’s most associated with that animal are the ears. By highlighting those, Bell efficiently persuades readers to understand why she felt so self conscious while wearing her Phonic Ear in school. 

I will admit there was one scene that was a little tough to get through. It was when Cece is at the sleepover, and the girls try to put makeup on her. Her refusal made me want to yell, “Tell them no!”

Instead, she tells them that the makeup would mess with her hearing aid. I know that this is in the part of the book, where she’s still lying to others to avoid prejudice, yet it still made me feel slightly uncomfortable.

If I had one complaint about the novel, it’s when Cece wins over her class with the powerful Phonic Ear. She puts it to use when some of the kids want to party before the teacher gets back in the classroom. It reminded me of Rudolph the Red-Nosed Reindeer television special, in which the other reindeer make fun of the title character’s nose, and yet, they want to include him in everything once Santa decides to use him for the trip. The difference is that the book establishes that some of the kids, i.e. her crush Mike, like her for who she is.

El Deafo by Cece Bell is a great graphic novel memoir. It’s a heartfelt and funny look at growing up deaf. It’s a little sad and hard to get through at times, but it’s worth the read. I would recommend it to both kids and adults, especially to those who have disabilities, know people who are Deaf/deaf, had to stay extensively at a hospital, and love graphic novels. Everyone has a superpower; we need to embrace them.

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Adapt Me Podcast – The Bluest Eye

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Hi Everybody!

The latest episode of the Adapt Me Podcast is up right now. In it, guest Amy Thomasson from the Women InSession Podcast and I talk about how we would adapt The Bluest Eye by Toni Morrison into an opera. We discuss the gorgeous prose and how it would be difficult to translate it to a different medium while retaining it spirit. I also introduce a new rule as to how books are picked for future episodes. Check it out at this link!

In the meantime, I have a review of the book itself, so check that out too!

Subscribe below to get notified when I post new updates. Also feel free to email me here for any review suggestions, ideas, or new titles!

The Bluest Eye Book Review

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Content warning: this review discusses racism and sexual assault.

I have read books by many famous authors, but there has been one that has eluded me until now: Toni Morrison. She is one of the most prolific African-American authors and wrote some of the most well-known titles in the late twentieth century. These include Sula, Song of Solomon, and her most beloved work aptly named Beloved. I’ve always wanted to read her stories, so what better way to do it than to look at her 1970 debut novel The Bluest Eye during Black History Month. It’s the most beautifully depressing book I’ve ever read.

The Bluest Eye is about a black girl who longs for blue eyes. Set in Lorain, Ohio, eleven-year-old Pecola Breedlove prays for blue eyes, so she can see only beautiful things in life. In fall of 1941, the marigolds in the Breedloves’s garden didn’t bloom. Pecola’s life changes in painful, devastating ways.

Before I get into my thoughts, I have to address The Bluest Eye’s legacy as a banned book. Since its publication, it has consistently appeared on the American Library Association’s list of most challenged books. According to The Guardian, nearly three weeks ago, publishers sued the State of Idaho for their book banning law that prohibits anyone under the age of 18 from accessing titles deemed “harmful to minors” in schools and public libraries. Unsurprisingly, The Bluest Eye was one of the titles listed. Its depictions of racism and sexual assault made it an easy target for those wanting to ban it. 

However, not every novel is not made to please everybody, and The Bluest Eye is a great example since it covers topics that are prominent in the black community. It discusses why many black people have insecurities when it comes to their looks, and it squarely blames it on society’s focus on white beauty standards, especially the blond hair and blue eyes. In addition, the scenes involving Pecola’s rape are uncomfortable to read. At the same time, there have been children who have been sexually abused. Although books like The Bluest Eye are not meant to be read by children, they would assure people that they are not alone and empower them to tell their stories. The most powerful tales are not always comforting.

Now, let’s get to the novel itself. Every praise that The Bluest Eye has received in the last 55 years is earned, and that’s primarily due to the gorgeous prose. Even the copy I got from the library underlined certain lines and passages from the book. I should be mad about that since I work at a library, yet this is an attest to how wonderful the writing is. I could list every possible example of Morrison’s beautiful prose, but we would be here all day. So, I’m going to give my favorite passage, which is from the following:

“You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.” (p. 35).

It’s societal racism in a nutshell.

In addition, I love how each character, no matter how big or small their role is, is given a backstory. This ranges from the pastor, who Pecola turns to get her blue eyes, to her father Cholly, who rapes her. These would go on for pages, but I didn’t mind because the writing was that good. It made them three-dimensional.

Finally, for a simple story about a black girl wanting blue eyes, it’s told in an ambitious manner. The narrator is mostly Claudia – Pecola’s schoolmate and friend, but it jumps from first to third person in various parts. Additionally, it has a dream-like framework with the references to the Dick and Jane primers. Each chapter echoes sentences found in said primers, but they’re smooshed together as if someone is about to lose their mind while reading them. However, these aspirations get in the way of telling a cohesive story. It would be discussing Pecola and her dreams, and then suddenly, it goes into a backstory of another character. This is mostly present in the second half of the novel. It’s not the first time I’ve read an ambitious debut novel( There There by Tommy Orange comes to mind). In this case, I’m not sure what changes can be made. Even from the earliest parts of her career, Morrison knew exactly what she was doing. Regardless, lack of cohesion did lose the book’s shimmer a bit.

The Bluest Eye by Toni Morrison is a great novel and deserves to be remembered as a classic. The writing is wonderful, and the characters, no matter how big or small, are fleshed out to the highest degree. It’s not an easy read due to its subject matter, but not every title is lollipops and rainbows, and it handles the topics with a sense of care. I would recommend it to any reader, especially those who are looking to read more banned books and stories by BIPOC authors. I will keep looking at stories like The Bluest Eye no matter how uncomfortable they are and how much people try to restrict them.

Before I go, I want to let everyone know that I recorded the latest episode of the Adapt Me Podcast soon. Returning guest Amy Thomasson – co-host of the Women In-Session Podcast – and I talk about how we would adapt this novel. Keep an eye out for the link.

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Ford F-Series Trucks: 1948-Present Book Review

Full disclosure: I was given a free copy of this book by one of the authors in exchange for an honest review.

Today, I’m looking at another car book, but it’s not just any car book. It’s one about Ford F-Series pickup trucks. These vehicles are not only the best selling trucks in their segment, but until recently, were also the best-selling vehicle of any category in the United States, cars included. Jim Dinsmore and James Halderman made a comprehensive history about the truck in their book Ford F-Series Trucks: 1948-Present. While I’m not a car enthusiast, I enjoyed learning about its story and seeing the photographs even if the technical jargon flew over my head at times.

Ford F-Series Trucks: 1948-Present dissects the history of Ford F-Series trucks from a technical viewpoint. When Henry Ford first started manufacturing Model Ts over 100 years ago, he didn’t really have a truck configuration in mind. However, when people were modifying those early chassis for commercial use, he realized that there was demand for a truck application of the Model T. Soon, Ford was making their own configurations for similar use, first through third parties and later, Ford itself with the Model TT. From these beginnings, Ford stumbled onto the foundation of the most popular vehicles ever – the Ford F-Series pickup truck. Dinsmore and Halderman explore every generation of the truck from its 1st generation (1948-1952) to what is now the 14th. They also cover all the options, chassis specifications, running changes, and the evolution of these pickups as they transformed from postwar utilitarian vehicles to the today’s best-selling luxury family cruisers.

Before I express my thoughts, I must state my relationship with the truck in question. I like the Ford F-Series. They are comfortable to ride in, while getting the job, no matter how big or small, done. I have some fond memories while being in them. I remember going to Jimmy John’s Field in Utica for a baseball game in a 13th generation F-450, and it took up about two parking spaces just for it to fit in. Later on, when my boyfriend, now husband, and I went to the Armada State Fair, we took that same truck and managed to get good parking because of it.

The book includes photographs taken by various people including author Jim Halderman (cousin of Gale Halderman who rendered the Ford Mustang) and the Ford Motor Company. They look like they were taken by average people compared to the ones shot for the Rolls-Royce Motor Car: Making a Legend book by Simon Van Booy and Harvey Briggs, but this is not a problem. They are of good quality and show the distinctions of trucks from every generation (here’s a game: take a drink every time the book mentions the word notice in the picture captions). The appeal of the truck is how rugged, affordable, and durable they are. They have a trim level for everybody. My only complaint about these is that there were too many of them in the beginning, but the balance between text and photos became more even as the book progressed.

Ford F-Series Trucks: 1948-Present wastes no time by telling the story of that truck in less than 200 pages. It condenses what information Dinsmore and Halderman want to get across. Each chapter discusses the historical background in which each generation was created, major features like the types of engines, trim levels, and the big changes the truck went through every year. They also end with spreadsheets discussing engines, transmissions, colors, and prices. On occasion, they would dedicate a section to important aspects of the Ford F-Series history like Henry Ford II, the competition, the Little Louie, and the EcoBoost engine. I learned so much about the F-Series, especially how the company improved the truck to capitalize on the camping craze in the 1960s. Did I mention that this book is less than 200 pages?

I mentioned this before in past reviews about car books, and I will say this again: I’m not a car/truck enthusiast. As much as I enjoyed learning about the truck and how the authors structured the book, I didn’t get into it as much as I should because of the technical jargon they employ throughout. I understood most of it thanks to the books I previously read, my husband the car journalist, and the way the authors explain it, but there were times that I was tripped up. For example, when discussing the 1961 Ford truck, the authors mention this: 

“From a mechanical standpoint, little was changed on the 1961 F-100. There was a 223-ci 6-cylinder engine. The 262-ci V8 was the preferred option, which had a rating of 172 hp. The 3-speed manual was still the standard transmission, while a 4-speed manual and the Ford-O-Matic automatic transmission were popular options” (p. 48).

Yes, I know that hp is horsepower, but I was still confused by the rest. This was not as egregious as Caterham Sevens, The Official Story of a Unique British Sportscar From Conception, yet Ford F-Series Trucks: 1948-Present still appeals to a certain audience that would comprehend it more than I could.

Ford F-Series Trucks: 1948-Present by Jim Dinsmore and James Halderman is a really good book about the history of the Ford F-Series trucks. Although I’m not a truck enthusiast, I enjoyed looking at the pictures and absorbing the information about the vehicle in question. I would recommend this for truck aficionados and collectors as well as anyone who’s interested in learning more about the most famous pickup in Ford history. I can’t wait to see how the Ford F-Series evolves.

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