Adapt Me Podcast – The Poisonwood Bible

Hi Everybody!

Grab your Bible errata and take a trip to the Congo because guest Amy Thomasson from the Women InSession podcast and I talk about how we would adapt The Poisonwood Bible by Barbara Kingsolver on the latest episode of the Adapt Me Podcast! Check it out at this link!

My review of The Poisonwood Bible will come out next week.

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Childless Mother: A Search for Son and Self Book Review

Full disclosure: I was given a free advance reader copy of this book by Books Forward in exchange for an honest review.

Adoption stories have always been compelling to me. Even though I’ve never experienced that myself, I’ve found it fascinating that plenty of people have had a different family from the one that they were born into. What rarely crosses my mind regarding these tales is about the birth parents, specifically about the birth mother. What were the circumstances? How did they feel about giving up their child? Did they ever find them? Today’s wonderful subject Childless Mother: A Search for Son and Self by Tracy Mayo made me consider what it was like to be a birth mother pre Roe vs. Wade.

Childless Mother: A Search for Son and Self is a memoir about a woman who had to give up her child for adoption. In 1970, 14-year-old Tracy was the only child of a high-ranking naval officer and a socially ambitious mother. After 8 different moves, she longed for a normal life, one filled with friends and feeling rooted. Instead, she got pregnant at that age and was exiled to a maternity home. There, she gave birth to a boy, but she was forced to bear the guilt and shame of being an unwed mother. On top of that, she had to surrender her child and pretend that it never happened. Twenty-two years later, with her longing still undiminished, Tracy set out to find him and perhaps, to reclaim herself.

The book is divided into three parts. The first two, labeled “Dazed” and “Lost,” deal with the events before and up to 20 years after her pregnancy. It’s these sections that were kind of hard to get through because of how much I felt sorry for her that she had to go through that. When her parents found out that Tracy was pregnant, they put her in a maternity home because that’s what people did when their daughters were having children before getting married prior to Roe vs. Wade. This didn’t make it any better as Tracy recounts. She expressed her grievances towards both her dad and mom for this. With her dad, it was him who made the formal decision without even consulting her, yet she’s more forgiving towards him because he was a problem-solver due to his military background. Tracy had a harder time with her mother because she was the one who told her, “Tracy, we agreed never to say the name of that place out loud, don’t forget. Some things can never be discussed. You were never there” (p. 125).

In other words, her mother wanted her to forget about the baby, maternity home, and her pregnancy overall. It didn’t help that Tracy’s mother wanted her to be the daughter that Tracy knew that she never could be.

Prior to reading this book, I’d only heard about maternity homes. Mayo paints a dreary atmosphere while describing her time in one. Apparently, the pregnant girls and ones who just gave birth lived on separate floors. The former had to restrict their time outside the home to limit the risk of public exposure. That same group also had to go on diets, which only allowed them to gain half a pound a week, so it’d be easier to lose the baby fat after they gave birth. I’ve never been pregnant, yet I was like, “What?!”

It was difficult for Tracy to forget about what she went through. She recalls taking a bunch of drugs like LSD in the Duke Forest while she studied medicine at Duke University. She later utilized meditations to cope with her trauma, and at one point, she had a vision of her son whom she named Thomas. In one, she asks him what has happened to him, and he reveals certain things like an accident, in which he got burned when he was 10 years old (p. 143-150). 

The third and final part is called “Found,” which details how Tracy found her son and she reconnected with him. She started her research in 1992 before the Internet. This meant going to various archives, including Old Dominion University, which housed records from the maternity home she was at and consulting a person called The Searcher. I can imagine how difficult it would’ve been to research where her son would’ve been at or if he was even alive. She even got in contact with the search and support group Adoptee-Birthparent Support Network (ABSN), who gave her important advice when dealing with family services. The love for this organization is very clear because of how helpful they were and how they validated her experiences.

She hit some dead ends with her research and had to deal with certain social workers. One even went on a tone-deaf rant about how it’s hard to get pregnant; how Tracy was lucky to have a baby; how sons don’t always try to find their birthparents; and how there were not enough infants available for adoption, especially healthy white ones. Again, I was like, “What?!”

Regardless, when Tracy finally discovered her son’s whereabouts and was able to connect with him a year later in 1992, it felt so satisfying. Her son, now named David, seems like a wonderful guy. She portrays him as a good man who was raised in a loving, albeit flawed family. Tracy is able to bond with him with no problem.

Childless Mother certainly made me rethink adoption reunion stories. At one point, when Tracy bonds with David, he mentions to her that sons don’t try to find their birthparents, echoing what the vapid social worker said. At that moment, I realized that he was right. Many of the stories I read about adoptees attempting to find their birth mother or father were usually the daughters. The only one that I can think of, in which the son tried to do that was Son of Harpo Speaks by Bill Marx (the adopted son of comedian Harpo Marx), and that was just a subplot.

Here, it’s the entire story of a birthmother finding her son and then some. Most adoption tales end after the adoptee finds the birth parent, yet Mayo wanted to stress how she and her son maintained a relationship over the years. After she and David get to know each other, he starts living in her home after she divorces her second husband. Tracy also describes how he integrated into her life after they reunited. This includes dating her friends, who are older than him. This makes her judge him which I thought was intriguing because her mother used to do the same thing.

Again, while I’m not an adoptee nor had to give up a child for adoption, I can see how a story like this can strongly impact people who have experienced that in some form. Mayo is personable and emphatic with her writing. She paints a clear picture of the trauma first and then how she dealt with it over the years. She admits that some of her decisions weren’t the wisest, but she perseveres. People might cry while reading it, but feel happy when Tracy reclaims her story of being a mother.

Childless Mother: A Search for Son and Self by Tracy Mayo considers the life of a birth mother in effective and realistic ways. Mayo’s writing is honest and emphatic while painting realistic pictures of the relationships she’s had as well as the environments she’s been in. On top of that, it makes it painfully clear that no person should’ve gone through what Tracy did when she was pregnant. I am and other readers will be happy to know that she was able to reclaim her story. I would recommend it to anybody who’s willing to read it, yet I suggest it to those who are adoptees and/or birthparents the most. The book will be out on Thursday, March 28, so get it wherever you can.

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LOY and Beyond Book Review

Full disclosure: I was given an ARC of this book from Stress Free Book Marketing in exchange for an honest review.

I have read a handful of books that were the second or latter titles in their series without reading the first one. Some of these like Richville, Another Tale of Travail and Treachery by Robert C. Jones and Death in a Gilded Frame by Cecelia Tichi come to mind. I can add another one to this list, which is LOY and Beyond by Todd David Gross. Unfortunately, I couldn’t get into it except for two things.

LOY and Beyond is about a group of native people who have extraordinary abilities and have a special relationship with nature. In this entry, the Rehloy face the invasion of a barbarous and technologically superior group of people – the Ontarans. The Ontarans are the first great civilization to rise from the ashes. While they try to conquer the new land and weaponize the beasts native to it, they discover something far more valuable and potentially dangerous. Meanwhile, the Rehloy have a child named Tremlo, whose extreme sensitivities force him to live in seclusion. In order to find himself, he leaves the tribe to travel with Jormah – the Shaman in the making. This story is about first contact.

Even though I am in the minority when it comes to this, I couldn’t get into LOY and Beyond for two reasons. The first is that I didn’t read the first novel in the series Loy: In the Forest of the Mind. While I enjoyed certain aspects like how the Rehloy function (specifically how they are born blind, but shed the skin over their face at puberty,) I wasn’t able to care about other ones. With the exception of some people, the Ontarans felt like another typical colonizer as they tried to confiscate knowledge and resources from the natives and the land. If I had read the first book, I would’ve cared more since that one had great reviews.

The second reason is that I felt like I was dropped into the world Gross created right in the middle as opposed to the beginning. Yes, I know that this is the second book in the series, but it was so sudden and jarring. It starts off with a man named Daniel trying to remember a woman/girl named Jennifer, and then it shows the map of the world, in which the book takes place in, and a cast list. Daniel doesn’t really appear in the rest of the novel. This soured my experience reading it. If that prologue took place after the map and character list and if Daniel played a bigger role, it could’ve been a smoother transition, and I would’ve gotten into it more.

And despite my grievances with the novel, I still finished it, and that was because of Tremlo. Tremlo is a super sensitive child who had a special ability to blend in with the nature around him. In other words, he is autistic-coded. Sure, the adults in the Rehloy group know that he is odd, but they are fully aware of the potential that he has. They believe that Tremlo is the way that he is because he became “conscious in the womb.”

I’ve never seen that explanation for autism since the causes are often debated. Nonetheless, it reflects how many autistic people in real life are overly sensitive people who notice too much. This paints a more realistic picture of what it means to be autistic than what regular media is willing to portray.

I enjoyed Tremlo. He has his quirks like referring to himself in the third person and has worries about belonging. There are even times, in which he believes that he has to sacrifice himself in order to truly find himself. The ending pays that off well. When he senses that Jormah – the Shaman in training – is coming back to the tribe, he immediately attaches himself to him. Tremlo even leaves with Jormah despite the latter’s protests. Together, they work on strengthening Tremlo’s skills and self-esteem. There’s even a scene, in which Tremlo has to save Jormah after the latter is captured by the Ontarans. This proves to Jormah that he had been underestimating Tremlo the entire time. I was totally invested in their journeys.

LOY and Beyond by Todd David Gross is one I couldn’t get invested in no matter how hard I tried. Tremlo and his relationship with Jormah were the only things that kept me going because of how authentic they felt. I feel like I would’ve liked it more if I read the first book in the Rehloy series. It would’ve made me comprehend the world more. This novel is good for readers who like science fiction, dystopian titles about new and unique civilizations, and have read Loy: In the Forest of the Mind

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Fiona’s Fury Book Review

Full disclosure: I was given an ARC of this book from Stress Free Book Marketing in exchange for an honest review.

Content Warning: this review discusses stalking and abuse.

When I read a book, it might take me a while to get into it. Something has to happen to make me invested in the story. On the other hand, there are times that I’ve gotten on board right away. This may be because of the premise, or it could be the author’s writing that immediately sucks me in. The latter occurred when I read Fiona’s Fury by Roxy Blue – a chilling, sardonic book that had me scared and laughing.

Fiona’s Fury is about a woman willing to risk everything for love. Fiona Turner – the CEO of Fiona’s Floral Shop – has no time for men. She talks to a flower vendor on the phone, which makes her feel things that she doesn’t really want to admit to. Fiona has remained friends with her ex-husband Quade, but she never would’ve expected him to become a terrifying, controlling, law-bending monster. When she displays the first signs of wanting to move on with her life, Quade threatens to take everything from her. Luckily, a weekend at a floral conference answers all her questions about the floral supplier and man on the other end of the phone, Bo Thompson, except how she could possibly have him. She must find a way if she wants to know what she’s missing.

I knew that I was going to like this book right away when I read the words “naked ass” on the first page. That told me everything I needed to know about Fiona as well as the tone. Specifically, she is strong and confident and doesn’t give a rat’s ass about things that don’t appeal to her. At the same time, she uses her sarcasm as a mask for her true feelings and desires, especially after years of trying to please her father. These are more apparent when her best friend Holly tries to talk to her about the floral vendor on the phone.

The chapters switch between Fiona and Bo’s perspectives. Bo – the Prince Charming in this case – is a simple and handsome man who lives on his family farm in Florida. He spends his time tending to the plants he eventually sells and restoring the house. Also, he has visions of a woman in trouble. This might seem silly, but there have been romantic comedies that have more ridiculous situations. Also, what Bo does in the third act is completely in line with those movies.

I totally bought into their romance because of their undeniable attraction towards each other and how both want simple things in life. They also bond over their sad backstories. Fiona has a father that never really respected her because she’s a girl, while Bo lost his parents in a tragic accident when he was 14. The middle portion of the book is devoted to their romance as it blooms at the floral conference. This part can drag a little bit, yet their hesitancy to advance the relationship is interesting. 

Bo also vows to respect Fiona’s agency, unlike her ex-husband Quade. Quade starts off as a dorky, but friendly man who is still in love with his ex-wife. It begins with him asking her out to dinner when he’s in town and coming over to the house she lives in. Then, it turns into him breaking into that same home (also, he owns it). He threatens to take everything away from her, especially the flower shop, and he’s buddies with the local police. He believes that he is losing her. These scenes were tough to get through since they riled me up that this delusional man could take advantage of Fiona in such a way. I understand her fury even if she comes off as foolish sometimes. If this novel gets adapted, I would love to see Will Ferrell as Quade.

The supporting characters are pretty good too. Holly and Jose are friends with Fiona and Bo, and they are super supportive. When Holly finds out about Fiona’s troubles with Quade, she immediately has her stay at her house. I got the feeling that they only exist just so the main ones can have someone to talk to. Given that both are of color (with Fiona at one point calling Holly her “beautiful bi-racial friend”), this is a bit questionable. On the other hand, Blue is writing other romance stories involving characters from this book. This includes Maxine, one of Fiona’s employees, who goes to London for an advanced floristry course in the novel Some Kind of Angel. I hope Blue will explore Holly and Jose in future books, especially the former. Readers know a bit about her like that she is an architectural drafter, a divorcee, and has a boyfriend named Levi.

Fiona’s Fury by Roxy Blue is a pretty good romance-suspense book. The writing drew me in with its wonderful thrilling and sardonic tone. The main characters are compelling, and readers will completely understand why they are drawn to each other. It helps that the antagonist is disturbing. I would recommend it to readers who like romantic comedies with some suspense. While it’s not perfect, the book got me on board right from the start. It’ll be out tomorrow, March 12, so get it wherever it’s available.

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The Raven Boys Book Review

I’ve talked about intriguing titles before, but when I came across The Raven Boys by Maggie Stiefvater, I had three thoughts. 

1. Who were the Raven Boys? 

2. How does one become a Raven Boy? 

3. Will they pester me like Bart does with Homer in the first Treehouse of Horror episode from The Simpsons?

These questions were answered when I read the book. Along with that, the novel offered realistic and fantastical world building, memorable characters, and a great audiobook.

The Raven Boys is the first book in “The Raven Cycle” series. Every year on St. Mark’s Eve, Blue Sargent stands by her mom as the soon-to-be dead walk by in the churchyard. Blue has never seen them – until that day, when a boy emerges from the dark and speaks directly to her. The only reason that she sees him is either he is her true love, or she killed him. His name is Richard Gansey III (aka Gansey), and she soon discovers that he is a rich student at Aglionby Academy, the local private school. Her mom told her in the past to stay away from Aglionby boys (also known as the Raven Boys due to the mascot being that bird) because they only mean trouble. 

Despite that, she is drawn to Gansey for some inexplicable reason. He has it all – family money, good looks, and devoted friends, yet he’s looking for more. Gansey is on a quest to find the Welsh King Owain Glyndŵr (Owen Glendower,) and it has encompassed three other Raven Boys: Adam Parrish, the student on scholarship who resents the privilege around him; Ronan Lynch, the fierce soul battling his own demons; and Noah Czerny, the watcher of the four, who notices so much, but says so little. For as long as she can remember, Blue has been warned that she will cause her true love to die if they kiss. She never thought that this would be a problem, but once she gets caught up with the Raven Boys, she’s not so sure anymore.

The world building is well established. Blue lives with her large family, who happen to be psychics, in the rural town of Henrietta, Virginia. She is the only one who doesn’t possess such powers. Even Nino’s Restaurant – the place that she works at and where she first meets the Raven Boys – is portrayed as the location where the cool, Aglionby kids go even if working there can be a pain in the butt. Speaking of Aglionby, it’s seen as a typical private school, where there are perceived snooty students and buried secrets even among its staff. As for the fantastical stuff, it blends into the real world well. There’s even a plot development that illustrates this point.

Moreover, the characters stand out. Blue is your average female protagonist in a YA fantasy novel. She is the only normal person in a family full of quirky people. As it progresses, she befriends Adam and gets closer with Gansey as she helps the boys to find Glendower. She has to decide how she is going to handle those relationships despite the “curse.” I hope the series gives her more character development because her character arc is interesting so far. 

With the Raven Boys themselves, each is memorable in their own right. Gansey is charismatic and mature for his age and has a single-mind focus. He is determined to locate the Welsh King even at the expense of his friends as he slowly falls in love with Blue. Adam is a boy who comes from the lower class and managed to obtain a scholarship to study at Aglionby. He also has a horrible home life, but he doesn’t want to live with Gansey no matter how many times the latter asks him. Adam values his agency. I liked him the most because of how sweet he was, and I’m also drawn to characters who are “outcasts” in their own groups. Then, there’s Ronan. He comes off as aggressive, cynical, irritable, and sarcastic. He doesn’t care much about school unless it’s Latin. But, underneath, he is compassionate and loving towards his friends, family, and animals. I hear that the second book Dream Thieves is all about Ronan, so I can’t wait to read more about him.

The only complaint that I have with reading this book is that its flowery language slowed the pacing down a bit. This was most apparent in the beginning where everything was being established. Although it’s good with setting up the world within, it felt too much when all was needed was to move the plot and characters along, especially the sections with the Raven Boys. It got better once they went to Blue’s house for a psychic reading.

Now, of course, I have to talk about my favorite part of the book: the audiobook! It was narrated by Will Patton. For those who don’t know, Patton is an actor known for work in movies like Armageddon, Remember the Titans, and Minari as well as in television shows like Yellowstone. In addition, he has recorded audiobooks for authors like James Lee Burke, Stephen King, and Maggie Stiefvater. In fact, this was the first one he did for Stiefvater, and he has narrated all titles in both the “Raven Cycle” series and the “Dreamer Trilogy.” 

Patton is great at voicing all the characters. He gives them subtle, but notable distinctions. Blue sounds the most normal of all the people in the book, which illustrates her main problem of wanting to feel special despite her “curse.” Gansey is voiced with maturity, class, and determination, while Adam possesses a sweeter tone with a Southern accent at times to demonstrate his outsider status in the group. Ronan broods, yet Patton provides a fierce compassion and vulnerability to him when needed. Furthermore, I enjoyed how he portrayed Persephone – one of the women who lives with Blue. She has a quiet, but cheeky voice. 

Another thing that stood out with this vocal performance was Patton’s ability to switch from the private school dialect to a more rural one naturally. The book mentions how certain characters possess the Henrietta accent, so he translates this into a county one. This makes sense because the town is supposed to be rural. One last detail that impressed me was how Patton’s voice dubbed twice over when two characters speak at the same time. It was effortless, and I could tell which ones were talking at that moment. I can see why Stiefvater has continued to work with Patton since 2012.

The Raven Boys by Maggie Stiefvater is a pretty good start to a YA fantasy series. One could easily imagine what Henrietta, Virginia looks like and all the places within. The characters stand out in one way or another. Additionally, Will Patton does a fantastic job with the audiobook. I would recommend this book for people looking for a fantasy series, especially ones focused on psychics, the occult, and teenage protagonists. Now, if you will excuse me, I’m going to go read the next novel in the series Dream Thieves!

In the meantime, you can listen to the latest episode of the Adapt Me Podcast. Returning guest Amanda Garrison and I discuss how to adapt this book into a series. Check out at this link.

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Adapt Me Podcast – The Raven Boys

Hi Everybody!

Grab your raven and get your psychic readings because returning guest Amanda Garrison from the Fictional Hangover podcast and I talk about how we would adapt The Raven Boys by Maggie Stiefvater and “The Raven Cycle” as a whole on the latest episode of the Adapt Me Podcast! Check it out at this link!

My review of The Raven Boys will come out next week.

Subscribe below to get notified when I post new updates. Also feel free to email me here for any review suggestions, ideas, or new titles!

Falling Through the Night Book Review

Full disclosure: I was given a free advance reader copy of this book by Books Forward in exchange for an honest review.

It’s funny how in six months, I’ve read two books about queer, Jewish women. One was the memoir Late Bloomer: Finding Authentic Myself at Midlife by Melissa Giberson. Today’s subject, the fictional Falling Through the Night by Gail Marlene Schwartz is the other. The latter is a fascinating look at one queer woman’s journey to create a healthy family.

Falling Through the Night is about Audrey Meyerwitz, a queer, 30-something, insomniatic American woman who wants to fall in love and have a family. But, it’s far from simple due to the Generalized Anxiety Disorder she has struggled with since childhood. When her best friend Jessica, a recovering alcoholic, helps the introvert Audrey with finding a partner through SheLovesHer, the latter takes the first step in fulfilling her dream. Through online dating, she finds a woman named Denise who lives in Canada. They hit it off, and soon, Audrey moves to that country. Together, they have twins, while Audrey struggles and grows. But when she unearths a secret about her mother, everything about her identity as a mom, daughter, and a person with mental illness changes. How can she create closeness from roots of deep alienation? With humor, honesty, and complexity, Audrey learns that healthy love means accepting gains and losses, taking off the blinders of fantasy, and accepting the messiness that defines human families.

I adored Audrey. She is a lesbian and Jewish, and she has an anxiety disorder. Also, she was adopted. Even with all of those identifiers, she is still relatable. She wants to create a healthy family, but there are so many obstacles like finding a partner, getting pregnant, and realizing how her adoptive mother raised her. But, in that journey, she makes some decisions that would easily irk some readers. For example, when she and her wife discover that they are having twins, one of them has Down Syndrome and heart problems. Because of the stress of raising a severely disabled child, they put the baby up for adoption. Also, Audrey is a pushover. Over the course of the novel, she develops the confidence to stand her ground. This is especially true when she has to confront a close friend about why she and her wife were being shunned from their inner circle and later, she does the same thing with her adopted mother when wanting to find out the truth surrounding her adoption. Both were quite satisfying. 

In addition, I love the other characters and their relationships with Audrey. Denise is the French-speaking woman that she finds online, and readers can easily see why they were meant to be together. Both are creative and have experienced oppression in their own ways. At the same time, Denise has her own baggage since she was cheated on by past lovers. This is why she kicks Audrey out of the house when the latter tells her about her crush on the theatre director. Their relationship realistically evolves during the course of the book. It takes some time for Denise to understand and forgive Audrey. Audrey also reveals why she wanted Denise in the first place because she wanted to move to Canada to secure her healthcare coverage; she still loves her nonetheless. 

Jessica is Audrey’s straight best friend, who lives in Vermont. She is loud, sassy, and caring. She is the one who encourages Audrey to go onto her journey in the first place. They bring out the silliness in each other, and scenes with them made me happy. My favorite part was when Audrey comically chases Jessica around with a “deadly pizza crust” in her Vermont apartment (p. 42). Jessica, too, has her own trauma since she’s a recovering alcoholic whose brother died recently. In fact, Jessica and Audrey met at a wellness facility while both were going through their therapies. However, when Audrey moves to Quebec, Jessica experiences some personal problems. What happened to her was extremely devastating, and Audrey must make certain choices alone as a result.

A small thing that I liked about the book was the short chapters. Most were no more than 5 pages, and there were 87 of them. The more I read the book, the more I realized that this was a deliberate decision made by Schwartz. Audrey gets overwhelmed when she has to read a lot of pages. By making the chapters short, it makes the story more authentic to Audrey’s character. In other words, it feels like Audrey wrote the book even though she would rather express herself through drawing.

I have only one nitpick, and that’s the structure. There are sections labeled stages. The first is “The Sensation of Falling,” the second is “Eye Movement Stops, Brain Waves Become Slower,” the third is “Beginning of Deep Sleep and Parasomnias,” and the last one is “Deep Sleep.” I’m not entirely sure what each of these signify, and what happens in each section doesn’t make it any clearer. Maybe someone who has experienced insomnia or some form of anxiety might understand this more. After all, Audrey displays panic attacks, excessive worrying, and sleep trouble throughout the book, and those issues are acknowledged and dealt with realistically. All I’m saying is that the structure with the four stages didn’t feel all that necessary.

Falling Through the Night by Gail Marlene Schwartz tackles the universal theme of creating families with a unique example. Given Audrey’s circumstances, it shows the obstacles of making such a thing happen realistically. All of the characters are fleshed out, and their relationships are believable. I would recommend this book to those interested in reading stories involving LGBTQ+, anxiety-prone, and/or adopted protagonists; Canada; and families. The novel is out now, so go get it!

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The Last Days of the Midnight Ramblers Book Review

Full disclosure: I was given a free advance reader copy of this book by SparkPoint Studio and Netgalley in exchange for an honest review.

Lately, there has been an influx of fictional celebrity-based stories within the last 10 years. They usually tell the story of the subject in question through an interview. The most well-known books that follow this formula are The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six both by Taylor Jenkins Reid. Another novel The Last Days of the Midnight Ramblers by Sarah Tomlinson, which got published recently, has a similar premise with a unique take, but it falls flat in key places.

The Last Days of the Midnight Ramblers is about the complicated legacy of a legendary rock band and the ghostwriter telling their story. Mari Hawthorn just landed the biggest job of her ghostwriting career. Anke Berben – model and style icon – needs someone for her memoir. In the 1960s, Anke was in headline-grabbing romances with three different members of the influential rock band The Midnight Ramblers. They were known for their backstage antics as well as for their music. Outside of the members themselves, Anke is the only one who truly understands the relationships, betrayals, and suspicions that have elevated the band into mythological status. This isn’t more true than the enduring mystery around the death of Mal, the lead singer and Anke’s husband in 1969. 

Decades later, rumors have still circulated about what happened. Was it a suicide or a homicide? Anke and the other members have kept that silent. As her ghostwriter, Mari must integrate herself into Anke’s world, coaxing stories out of her that will be worthy for the book. She developed the skill of navigating the fatal charms of the rich and famous due to her narcissistic, alcoholic dad. However, she soon stumbles upon far more revealing items than anything she couldn’t have imagined. It’s not just a celebrity tell-all; it’s about redemption.

Let’s start off with what works. I liked the ghostwriter aspect of the story. It’s unique since I don’t think this has been done in a novel like this. Every chapter begins with tips for how a ghostwriter should approach and interact with their subject, and they correlate with what Mari is trying to do with Anke. Sure, Mari’s backstory of dealing with an alcoholic father who gambled much of the family money is a bit belabored. However, this primarily enforces how she was able to develop her skills as a ghostwriter and her need for the job as she and her sister Vivienne scrape by. I felt invested in Mari’s journey to write Anke’s story as a result.

Now, let’s discuss the drawbacks. The first is a bit of nitpick. When the subject in question is a fictional version of something in real life, it’s best NOT to refer to the latter. It stirs up a lot of questions of how both could possibly exist in the same story. For example, even though the titular band in Daisy Jones & The Six is clearly paying homage to Fleetwood Mac, the novel doesn’t mention the latter band at all. As for the Amazon Prime show, it includes a song from the Rumors album that plays during a pivotal scene in the penultimate episode. Now, this would be crossing the line, but because it uses a deep cut from that LP, it narrowly gets away with it (unless one was looking at the sidebar which displayed which tune was playing at the moment that one could download from Amazon Music). 

With The Last Days of the Midnight Ramblers, the band in question is supposed to be the Rolling Stones. They are a group that started in the 1960s and are still going after 55 years. The lead singer Mal Walker is the fictional version of Brian Jones – the original rhythm guitarist who ended up drowning in a pool under mysterious circumstances in 1969. Even Anke Berben is supposed to be Anita Pallenberg – an Italian-German model who had relations with both Jones and Keith Richards. However, Tomlinson makes the grave mistake of name checking the Rolling Stones in the first few pages. This took me out of the story since it led me to question how both bands could exist simultaneously in that novel. 

My real complaint about the book is how readers don’t get a clear sense of why they should care about the Midnight Ramblers. We are told that they “were among the world’s biggest rock stars, having provided a soundtrack of bohemian flair for three generations..with hit singles, going back to 1964, including ‘Bought on the Never Never,’ a young anthem for generations” (p.9).

They had Grammys and even an Oscar. However, it’s not clear what made them truly famous. What made them appealing to the bohemian crowd outside of their look? What was their music like? How did they perform? What about the chemistry between the band members? Why should we care about Mal’s death? What readers know about them is almost like a stereotypical mid-to-late 1960s British band with the sex, drugs, and backstage tensions. We get some lyrics, but not much. In Daisy Jones & The Six, author Taylor Jenkins Reid paints a clear picture of why that group became famous. It was due to their bluesy-rock sound, Billy and Daisy’s lyrics, Daisy’s unique vocals, and their chemistry while they sang together. Meanwhile, Tomlinson – a ghostwriter herself – spent more time in the present with Mari than in the past with the Ramblers. This would leave readers wondering why we should care about that band in the first place if we don’t know why they were able to maintain their legacy for so long. If Tomlinson struck more of a balance, then the premise could’ve worked more.

The Last Days of the Midnight Ramblers by Sarah Tomlinson is just another fictional celebrity-based novel. It tries to stand out with its ghostwriter angle, but the novel leaves what should’ve been the main focus – the band itself – left in the dust. I would only recommend it for those who love characters who are ghostwriters and want more than just a manual on how to become one. People will continue to love fictional famous people like Evelyn Hugo and Daisy Jones & The Six from their respective books, yet they will most likely not get any satisfaction from the Midnight Ramblers.

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Interview with Suzette Mullen

Full disclosure: this interview has been edited for clarification.

Hello Everyone,

We got something special for you all on Book Reviews by a Chick Who Reads Everything today. We have a guest who is the author of the new memoir The Only Way Through is Out, a book coach, and who works with LGBTQ+ nonfiction and memoir writers. Please welcome, Suzette Mullen! Hi Suzette!

Suzette: Hi Emily! I’m so happy to have this conversation with you.

Emily: Same here! I have a lot of questions for you, and I know you’ll certainly enjoy them.

Suzette: I hope so!

Emily: What was the catalyst for writing this book?

Suzette: Great question, and I’m smiling because when I start working with a writer, this is the question I ask them. Why write this book? I’ve had to think about that question and the answer myself, and the first reason I wrote this book was I was trying to understand this experience that I had been through, and I think that’s very typical for memoir writers. We’ve had this profound experience or some event that has happened in our lives, and we know it’s important, but we maybe don’t fully understand it, so we write to unpack the experience and connect the dots and look into our past to see how we got here. That was the initial catalyst for me to write the book.

As I continue to write and to continue to understand for myself, then it began to become a story to share with other people, and particularly other women and any human who is contemplating a big change, particularly at mid-life after when they had an established life. I was a part of a Facebook group that was a support for women that were questioning their sexuality and/or coming out later in life. I know we were all looking for other people’s stories to see if there were people that got to the other side, so I wrote my book for them. The dedication of the book is really for every human who is longing to live out loud and that isn’t afraid of the cost.

Emily: That’s wonderful, and I really enjoyed those sections when you’re talking about the La-Las and how wonderful they really are.

Suzette: They were, and many of them remain as very close friends of mine. The original Facebook Group that I speak about in the book no longer is in existence although there are several other groups that splintered off from that group, but I got to not only know many of those women online, but also got to know several of them in person, and some of them I count them among my closest friends, and they really were a lifeline for me.

Emily: That’s wonderful. Everybody needs a lifeline. As you mentioned, there was a part where you discuss the difference between someone worrying you and someone being concerned about you. I’m glad those friends, especially Jen, were concerned and threw you a line. That was wonderful to hear about. Sure, the part when you were going through your nervous breakdown was tough, but the fact that you had the members of the La-Las be there for you from the very start of your journey is a very beautiful, breathtaking experience.

Suzette: Thank you. Yes, I think that one of the learnings in this whole experience, then certainly living it, and now writing it is I got a much deeper understanding of what true friendship is really about and the importance of community because we all have struggles in our lives, and I’ve certainly had some before this, but this was the big one of my life, and hopefully, it will be the biggest one of my life. I have no idea what’s coming up on the other side. I needed friends and community more than I ever had, and I was very fortunate to find those people.

Emily: You expressed a lot of fears of coming out, especially how it would impact your marriage and family. How did you deal with them?

Suzette: The whole coming out process for me (and I don’t think this is terribly unusual) was a process. It wasn’t one day I woke up and was like, “I’m gay! I’m coming out!”

It was the first awakening to the feelings. Then the questioning was, “Is this really real, or is this just in my head?” 

So, when I finally came to terms with what was true for myself, I had a big decision, which really was, “Okay, this is true, and what do I do about it?” because I was in an established life. At the time, I was in a marriage that was close to 30 years, and every marriage has its challenges, but I say, overall, I had a pretty good marriage with this one very large exception, and I really needed to make the decision. I think it was less about coming out in terms of coming out as queer. It was more about leaving an entire life that I had because I didn’t know what it was like to be queer. I didn’t know what it was like to live as a queer person. I think that’s true for anyone before they come out, and you don’t really understand what this new life is going to be like. For me, I don’t think it was a real fear of what it would be like to be a queer person living that life in the world. Of course, it’s the fear of the unknown, the fear of not knowing what it’s going to be, but for me, I think the deeper fear of what kept me in the struggle for as long was this push and pull between what I was longing for in my desire and this life that I knew that had a lot of good in it and with the people, particularly my husband and others that I deeply cared for. I didn’t want to hurt them. 

Emily: That’s completely understandable. There are books that talk about very similar things where they were, “How will this affect my life? Can I keep the life I have?”

But, as you have realized in your book that there were some things that were going to happen, and you were going to leave some things behind. I can’t imagine what you went through, but at least, you’re happy, and you honored your vows as you quote in the book.

Suzette: What we’re talking about here, I think this is what I hope my readers will connect with: this more universal struggle because people that are in a similar situation where they come to terms with their sexuality later in life, they have to make a decision: do I stay or do I go. Yes, they can relate to my story, but I also really deeply believe that many of us, if not all of us, will face situations in our lives where there’s something else out there we have a desire for or that we’re longing for. There’s some clarity inside us that this is something for us, and going after our desires in many situations will impact the other people in our lives, and there’s this push and pull of do I have the right to go after what I want, is that “selfish?,” is that the right thing to do?

I can’t answer that for anyone else, but I hope my story will provide to those readers that someone else was struggling with those same kinds of questions. They are not alone, and this is my story of how I resolved these questions.

Emily: How has your family and Reenie reacted to this book (or do they even know) that you wrote this book?

Suzette: My family definitely knows I’ve written the book, and at the time of this recording, they have not read the book yet, but they know generally what’s in it. I would say to the extent that they’ve shared with me, they are very supportive. My two sons have been wonderful through this whole process. My sister [came] to my book launch, and my mother is in failing health, so she’s not able to come to any of my events. My family has generally been supportive, and they know about the book. Reenie, I know that she knew at some point that I was writing a book. We are no longer in a relationship, so I can’t really answer that question of whether she knows or she doesn’t know. She definitely did know at one point when we still had a bit of a connection that I was working on a book.

Emily: How and why is it possible to be in decades-long denial about your sexuality?

Suzette: That’s a good question. I have spent quite a bit of time thinking about that, so I can only answer it for myself, but I assume that there’s other people, who’ve had a similar situation, who can relate to some of this. I would say for me, there’s at least three reasons. One is the time that I grew up in. I’m in my early 60s now, so I was in high school in the 70s. I’m sure there were people in my entire high school that were gay. There was literally nobody who was out openly and same thing with teachers. After the fact, many years later, I learned that they were definitely gay people in my high school, so some of it, I think was the time.

I didn’t really have role models. Being gay was in the shadows, and it was shameful, and people routinely were using slurs to refer to gay people.

I have also looked back and seen this pattern of a life where I chose to be a rule-follower. I chose to make safe choices, and those safe choices led me to a very nice life, but a life where I was afraid to take risks, so I think some of this was also just my childhood imprinting and conditioning that I didn’t even allow myself to go there. As readers will see when they read the book, there were definitely signs along the way, and it all seems so obvious right now on the other side, but it wasn’t at the time.

So, I think the times, childhood imprinting, lack of any role models, and maybe the other reason was that I was in a nice life. I really was. Maybe there was something around me that was not willing to go there. I really have come to believe that people come out when they are ready, and for whatever reason, there were probably many many reasons, some of which I hope I have just shared, I was not ready until I was ready. Then, there was a moment that set things in motion, and I started seeing things that were definitely true for me that I hadn’t been able to see before then.

Emily: All those reasons are completely understandable. How did you navigate divorce and dating in mid-life?

Suzette: With divorce, what I’ve come to realize is no matter what, it’s very hard. I was fortunate that mine was relatively amicable, and it’s still very hard. It’s the loss of a dream, the loss of a life that you expected to have. I never expected in a million years to be divorced. It was scary. I hadn’t lived by myself ever in my entire life. I’ve gone from college to having a roommate and having roommates in law school, and then getting married. I have never navigated life on my own  really without a partner. It was scary, and there were a lot of things that I had to learn much later in life, just a lot of practical things that my now ex-husband did in our relationship. It was hard. Dating was definitely interesting because I had met my husband when I was 22, and I had virtually no dating experience ever in my entire life, and here I was in my mid-50s navigating not only a completely new world of dating with online dating, but also I was dating women. I do discuss a good amount of that in the book. I don’t want to give too much away, but it’s definitely an adventure, and I did not have any disastrous experiences. I know that some people do. It was a brave new world out there, let’s just put it that way. Internet profiles, and learning what was appropriate, what was safe, and all other things.

Emily: As someone who is a child of divorced parents, seeing that first hand, while I was still living with them and doing graduate school, was tough. It started off amicably, but it soured over time. Reading those sections certainly brought up some things about that time period when my parents were divorcing, but absolutely real on that.

Suzette: It was interesting, and this is something that many of the women in the later-in-life support groups that I was in. I’m still in several others. When the couple decides to divorce, and not everybody does, but for those who do, the whole thing about telling your children no matter what age they are is hard. Different ages, different challenges. One of the almost universal experiences is that with the children, whether they are younger children or mine were young adults, there was less trauma about the coming out part, but it was the divorce part. Of course, that’s hard. It’s hard to hear that your parents are no longer going to be together. Even with my children, who were no longer living at home, it didn’t impact their day-to-day life, but it impacts their life for sure. That was one of the things that I struggled with. I didn’t want to cause anybody pain.

Emily: That’s another recurring theme. You talked about taking risks and being safe, and that falls into how you didn’t want to hurt anybody. That’s why you took the path of being safe.

Suzette: Exactly. 

Emily: Speaking of taking risks and being safe, I have a question relating to that. Have you taken any risks as of late?

Suzette: Well, let’s see. To state the obvious, writing this book and putting my story out into the world does feel risky, and it does feel very vulnerable. I’m thrilled that I am where I am, so I took a big risk in my life that led me to this story. One of the decisions I made on the other side of leaving my marriage and coming out was a professional decision. I pivoted from some other work that I was doing, and I decided to become a book coach. On its face, that doesn’t sound like a big risk, but one of things that I have chosen to do in the past two to three years is to really focus my business on working with LGBTQ+ writers. How I would answer your question is I feel like I have taken risks in terms of being more and more visible as a member of the LGBTQ+ community, both in terms of my professional life and in my personal life. One of the things in the book was an email I sent to some friends shortly as I was coming out, and I was not able to really label myself at that point. To be clear, I don’t think anybody has to label themselves, but I certainly at the time wasn’t able to. In the email, I said, “I’m not ready to wrap myself in a rainbow flag.”

I was just feeling my way into my new identity in life. So, I am no longer afraid to wrap myself in a rainbow flag. If you look at my website or my social media, I’m wrapped in a rainbow flag a lot. In America today, depending on where you live and who you were doing life with, that is risky. It’s a risk I’m willing to take obviously.

Emily: That leads into a follow-up question. How would you respond to people who say, “You’re shoving your lifestyle down our throats. We don’t want you to do that.”

Suzette: Here’s how I’ll answer that: anyone that uses the term lifestyle is not an ally of the LGBTQ+ community, doesn’t understand that it’s not a lifestyle. It’s an identity. I had a book coach on, and we are always thinking of who’s our reader and who’s our audience. What I would say is anyone who would say that is not my audience, and there are going to be haters out there. I am preparing as well as anyone can be prepared for those kinds of comments. I had an essay go viral on today.com a couple of summers ago. It was called “The Subaru Should Have Been a Sign.” It went viral. I made the rookie mistake of reading the comments, and the first few comments were really positive, and then, there was vitriol and also just sort of cluelessness. There were all these comments like, “I drive a Subaru, and I’m not a lesbian.”

They didn’t get the irony in the comment, and there were those ugly comments. That just comes with the territory, and those are not my readers. That’s not who I wrote the book for.

Emily: Every book is going to have their audience, especially whether they are intended for or ones who are willing to open their minds.

Suzette: Exactly. I do have a hope that I may have readers who find their way to my book, whether someone buys it for them, or hands it to them, someone who is in the LGBTQ+ community wants to hand their book to a family member to maybe help them understand their experience. Maybe some hearts and minds will be changed, and if that’s the case, that will be fantastic.

Emily: Absolutely. Earlier, you were talking about your work as a book coach. Could you tell us more about your work?

Suzette: Yay, I’d love to. So, I have a group mentorship and community called “Write Yourself Out.” It’s exclusively for LGBTQ+ memoir and nonfiction writers. I launched that in April 2023. I currently have 17 writers in there, and they are amazing humans, who are getting clear on the story they want to tell, and I’m meeting where they are. They are working on their books, and they’re in a safe, supportive community, and that’s really important to me. That’s the joy for me, and I love that work. I also do work with writers one-on-one, and I do work with straight writers occasionally, especially if their project aligns with my values, and they have something important to say. I have a client right now, whose book is coming out in August, Sarah Wells, and the book is called Go Ask Your Mothers, and it’s about supporting moms returning to work. It’s a really important topic and a really important book. I feel very privileged at this stage of my life to have found work that I love and feel aligned with who I am, and that’s one of the deep joys of this chapter in my life.

Emily: That’s wonderful. I’m glad that you are able to find meaningful work, do what you love, and help others to achieve their goals and their own happiness. It’s using your own platform to help others. That is wonderful because I know there’s always this pressure when you have a certain platform, you have to commit to it 100%, and if you don’t, then people might see it as performative, but the way that you talk about it, it’s absolutely genuine. I just feel how much you love working with the writers, regardless who they are. I’m looking forward to reading their books sometime, and who knows, maybe their books will appear on Book Reviews by a Chick Who Reads Everything.

Suzette: That would be an amazing full circle moment. One of the things that I’ve come to discover in this whole journey of this professional and personal leaps that I’ve made at midlife is that when you’re not living authentically in one aspect of your life, it spills over into everything, and the converse is true. When you are living authentically in one area of your life, it spills over to the rest of your life. When I made this big change in my personal life, all of a sudden, my professional life started blossoming as well. I was finally feeling at ease in my life and in my own skin, and it really did spill over into my professional life as well.

Emily: That’s fantastic! I’m glad you’re living the most authentic life as it can be.

Suzette: Thank you!

Emily: You’re welcome. There are so many memoirs about people realizing that they are queer in midlife. Did you feel pressure to stand out from those books at any point?

Suzette: That’s a great question, and it’s certainly something that I’ve talked to my writers about. Not that all of my writers are at mid-life, or even writing about coming out. There’s this, “Somebody else wrote a coming out story.” 

I know that and that you did a review of one that came out this summer, and I’m fully supporting that writer, and I’ve amplified her book on my platforms. Here’s what’s true. There is a limited number of categories that books fall into. There’s grief memoirs, coming-out memoirs, there’s travel, etc. There are these categories and these buckets of books, and what makes each story different is the particular specifics and the particular details and obviously the writing voice. While on the plot level the actual things that happened, there could be a lot of similarities in people’s stories, the internal experiences, how it’s expressed, and the specificity, that’s what makes the book stand out. I didn’t get too wrapped up about that. I was focused on writing the truest story that I was able to write and to dig as deep as I could dig to uncover what my story was really about.

In addition to this theme of safety and choosing safety over risk throughout a good deal of my life, there was this persistent character of my inner voice. In the earlier drafts, that inner voice was in the story all along, but I didn’t really see the thread of that inner voice or view that voice as a major theme that turns into a major character. Once I saw that, that helped me see connections in my story. For anyone who is thinking about writing whatever their story is, there is that natural feeling of, “Oh, there’s these other books out there that are on the same topic.”

It doesn’t matter what the topic is. If you can write your story authentically, you have something to say, and you’re clear on why you want to say it, there’s room for your book too. When I was working on my book, Untamed came out of all things, so you have Untamed by Glennon Doyle – multi-million-copy bestseller. The context of that book is her coming out later in life, but I don’t think we would necessarily call it a book about coming out later in life, but it’s easy to let those things stop you, and I would encourage those writers to focus on what their story is and what their particular angle is of how they can add to the conversation about a topic that other people have written about.

Emily: So, it’s just like any other book where you’re always going to find books that have similar themes and topics. It’s like you said. You have to be authentic about it, and hone it on what your focus is. If they’re honest about it, then readers will feel that and gravitate towards it.

Suzette: Yeah, absolutely. When I had an exchange with the editor, who ultimately decided to take my book to the University of Wisconsin Press, one of the things that he said was that one of the reasons they were attracted to my book and my story was that the introspection, the internal struggle that I had over these things that we’ve been talking about and how I, as he said, “effectively communicated what that struggle felt like.”

And that’s the angle of my book. Your people have a different angle. I think that’s how I would answer your question.

Emily: One of the best parts of your memoir is the conflict between you and your inner voice, like how your inner voice tells you to do this, but then, sometime later, it’ll go, “Umm, I don’t think that’s a good idea.”

How you wrestle with it is like “How should I trust my inner voice? I’m all confused!”

Suzette: I think that’s another place that I’m tapping into something universal for everyone. Every human has an inner voice. Every human hears something inside them. What is it, the voice of fear that you’re hearing, or is it your intuition, your truth? Sometimes, that can be hard to distinguish, so that whole idea of listening, what is true, and finding the courage to act on it. Whatever it is, it doesn’t have to be about later-in-life sexuality. It can be about a bunch of different things.

Emily: I have a specific question for you. I run the “Adapt Me Podcast,” where a guest and I talk about books that have never been adapted and how we would go about it. If The Only Way Through is Out ever becomes adapted, who would you cast as yourself in a possible adaptation?

Suzette: That is such a great question, and I have actually thought about it. And if she’s listening, please, I would love Laura Linney. I adore Laura Linney. She’s about my age, and I think she’s just an amazing actress. My sister was in college for one year with Laura Linney. She didn’t know her well, but she knew of her. My sister and I went to see a Broadway play last year, and we waited at the stage door. Laura Linney came out, and we had a little exchange. I think I even have a photograph of her. Laura Linney, if you are listening, I would be so honored if you would play me.

Emily: That’s wonderful. She is such a great actress. I love her in The Truman Show.

Suzette: Yeah, she’s great. It’s so funny that you asked that question because it’s one of the fantasies that “Oh my god! The book will be picked up and turned into a screenplay or a tv series.”

There’s an audiobook that is in production as we speak. That book will be out in the summer. I was able to have a role in choosing the narrator. That’s a wild experience to hear somebody else read your words.

Emily: If you don’t mind me asking, who is the narrator?

Suzette: I don’t know if that’s public or not, so I’m not going to share it just because I honestly don’t know if that’s public or not. But, what I can say is that the narrator is a very experienced narrator. She has narrated at least 150 books, so I’m really excited, and in fact, literally yesterday, I got the first draft of her recording. Part of my job with somebody at the publisher is to listen to it word by word, and we have a spreadsheet to note anything that we want changed. It’s like a whole other edit, but it’s for audio instead of on the page.

Emily: That’s amazing! Wow! From an author’s perspective, that’s got to be exhilarating and also stressful. In a way, you do have some control like how it’s being presented through the audiobook, but at the same time, you’re letting this person interpret your life. I’d imagine so many things going through your head while you’re listening to that, especially how this person eventually will voice your family members as opposed to voicing the inner voice.

Suzette: Right, right. I’m learning a lot. It’s a very interesting process. I think every narrator has their own style. Some narrators do more voices like they really change the characters. Some narrators just slightly change the voice, so it’s clear that someone else is speaking, and my narrator is more in that style. But yay, you hit the nail on the head. There’s this tension between what I would expect the toning, the inflections, and all of the other things to be and also allowing this professional actor to interpret the book, so I think we’ll find a middle ground there if there’s something. We already have samples that we got to listen to and give some feedback on. It’s a very interesting process. It really is.

Emily: That’s amazing to hear about! I had no idea that the book was going to be adapted as an audiobook, so I can’t wait to hear more about it.

Suzette: I did not know it was going to be either, and that was a really lovely surprise. In fact, it’s only the second audiobook that my publisher has commissioned, and they’re anticipating doing many many more, but audiobooks are by far the fastest growing format of books right now. It’s really exciting to have that as an option for my audience.

Emily: What are some other projects that you are working on?

Suzette: The book promotion is the number one thing, running my “Write Yourself Out” community, and doing my book coaching with my one-on-one clients. I have started working on a second memoir, and it’s in the very early stages. I want to explore what happens after the leap, after the big change, and I have a specific angle that I’m looking at, so once I’m on the other side of the real intense book promotion and after Pride month, I can take a deep breath, and turn my attention to the next book project.

Emily: That’s fabulous. I certainly can’t wait to read that book and listen to the audiobook when they come out. Thank you, Suzette, for coming on. Where can people find you?

Suzette: Thanks for asking. The two best places to find me are my website yourstoryfinder.com, and I’ve got all the information on my book and about my book coaching and on Instagram @urstoryfinder. And, I want to mention one more thing. I have created a really fun, free, and interactive resource called Behind the Scenes: An Insider’s Guide to The Only Way Through is Out. It’s a little mini-ebook, where I have shared five scenes that didn’t make the cut in the book, and I analyzed why I wrote them in the first place, why I decided to cut them, and I got some tips on revision for writers. Also, there are some scavenger-hunt questions for readers. It turned into this fun project, and I think readers will enjoy it because it gives them a little more context. For example, I’ll share a deleted scene. I’ll say all the things of why this scene got deleted for this reason, this reason, and this reason, but there’s a sentence from this scene that made it into the book, and I’ll give people a little bit of clues about where they might find it in the book. It’s like a playful scavenger hunt in some ways. It’s a free resource on my website.

Emily: I don’t think that there has been any other book that has done this, at least not to my knowledge. That’s amazing!

Suzette: It ended up being really really fun, and I think it actually turns out to be a really meaty resource for writers, and it’s also a fun behind-the-scenes look for readers.

Emily: Perfect! I can’t wait for readers to actually take a look. Before we go, are there any other things that you wanted to talk about?

Suzette: One of the things that I ask my writers is to always think of their readers, think about what they want their readers to feel, and what’s the takeaway for their readers. I’m pretty clear on what my takeaway is, and I’d love to share that. I hope that when my readers finish my book, they will feel the message of it’s never too late to live their life, it’s never too late to live out loud, it’s never too late for a new beginning, and that my story will give them confidence, if they are contemplating changes in their life and maybe they’re wondering if it’s too late. I know that it doesn’t matter what age you are. You often think it’s too late wherever you are in your life, and that’s really the message I do want to leave people with that it’s never too late to live out loud, and there is a cost to choosing authenticity. In my opinion, it’s worth the cost.

Emily: That’s wonderful. Thank you, Suzette, for coming on. It’s absolutely a pleasure talking with you today. I cannot wait for people to read your memoir, feel the things that you went through, see if they want to share it with other people, and identify, if they are LGBTQ+, the things you have been through and what they’re going through, and even relating that to straight members and allies.

Suzette: At the end of the day, writers write because they want to connect with readers. We want to make an impact. We want to make a connection, and my hope is that my story will connect with people who are both LGBTQ+, also people who are straight, and people who are longing for something in their life and maybe they’re afraid to step into it, or they’re afraid that it’s too late.

Emily: Thank you for coming on. I love talking with you, and I hope you have a wonderful rest of your day.

Suzette: Thank you so much, Emily. I really appreciate you taking the time and reading the book and doing all the things. I thank you so much!

Emily: You’re very welcome! For those who are reading Book Reviews by a Chick Who Reads Everything, please go out and get The Only Way Through is Out by Suzette Mullen. It’s out now, so go grab it at your local bookstore, or check it out at the library.

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The Only Way Through is Out Book Review

Full disclosure: I was given a free advance reader copy of this book by Books Forward in exchange for an honest review.

Ever since I read Late Bloomer: Finding My Authentic Self at Midlife by Melissa Giberson, I have been curious to read more LGBTQ+ related stories. What I didn’t realize is that there are a handful of memoirs like Late Bloomer that tell the tale of people realizing their true sexual orientation later in life. These include Finally Out: Letting Go of Living Straight by Loren A. Olsen and The Fixed Stars by Molly Wizenberg. Another one that will come out tomorrow is The Only Way Through is Out by New York Times author Suzette Mullen – a beautiful book that creatively stands out in many ways.

The Only Way Through is Out tells the story of how Suzette Mullen realized that she was queer and how she navigated it in her personal and professional life. Suzette always wanted to play it safe not to hurt anyone, and this resulted in a good life. She got law degrees, a kind husband, two wonderful sons, and a vacation home with an ocean view. However, she saw other people walk boldly through their lives and wondered what was holding her back. Then, she realized that she held a deep dark secret: she had been in love with her best friend – a woman – for nearly 20 years and still was. Leaning into those “unspeakable” feelings would put her identity, marriage, family, and life of privilege at risk. After months of inner turmoil and soul-searching, she decided to risk it in order to honor her own vows. Her initial euphoria evaporated under the weight of reality like illnesses, divorce negotiations, and finding out that her husband got himself a girlfriend. When she found herself at her lowest, she called on a friend, who took her to her hometown of Lancaster, Pennsylvania. A bunch of coincidences in that city proved to her that she could live her life as authentically as possible. 

The Only Way Through is Out may feel like another story about a middle-aged person coming out, but it’s unique in a few ways. One is how well written it was. I could follow the story even with all of its twists and turns, while it expresses key components with creative means. For example, when Suzette is figuring out how to balance her marriage to a man after coming out, each writes out four different scenarios: good marriage, good divorce, bad marriage, and bad divorce (p.89-91). When both share their expectations, she realizes that they are different. In another instance, she experiences a nervous breakdown while she’s on her way to Nashville for a convention. As she tries to sleep, she tries to convince herself that she can make it even though it becomes clear that she can’t. Mullen expresses this sequence in time stamps. This becomes the catalyst for her to reach out to her friend Jenn, so she can come and take her to where she’s at in Lancaster (p.186-189). Both illustrate her feelings of what she was going through through good writing.

Mullen also stands out with what relationships she emphasizes. In many coming out stories, the main focuses are the family, their spouses, and how they react. While she does highlight how her sister, mother, and now ex-husband felt after she told them about her sexual orientation, her core concern was with Reenie – her best friend. Reenie was her eldest son’s kindergarten teacher, and they were friends for decades. Suzette’s long-lasting crush on her was the primary reason she went on the journey to discover her true self. This meant being brave and confessing to Reenie about her feelings for her. Unfortunately, things don’t go as planned, for Reenie doesn’t reciprocate. What’s worse is that Reenie gives her an ultimatum: either choose her own happiness or honor her vows. I know that many people in the LGBTQ+ community will relate to that kind of relationship.

What shines the most in this memoir is Suzette’s inner struggle to make the choices that feel right for her happiness. Throughout, she recounts that up until her realization that she was queer, she lived a life of comfort with others deciding for her in terms of what she was going to do. Even her father, when he was alive, lifted her baby carriage over bumpy parts of the street, so she wouldn’t get hurt as an infant. In other words, she played things safe. But when she was figuring out her sexuality, she had a hard time listening to her inner voice. There are sections of the memoir that highlight those “conversations.” In them, she expressed confusion whenever that voice tells her to confess to Reenie about her crush, or not to do it or else it will hurt her in the end. Anybody, regardless of their sexual orientation, will relate to how sometimes, one has to take risks in order to live the life they want.

The Only Way Through is Out by Suzette Mullen is a wonderful addition to the growing number of books about middle-aged people coming out. Her focus on her crush and her intuition help to make the story stand out as authentically as possible. I would recommend to LGBTQ+, straight, and ally readers regardless of age. This memoir shows that it’s never too late to take risks in order to live in the most truthful way.

Before I go, I want to let you know that I had the opportunity to interview Suzette Mullen for the website. The transcript has been posted here
In addition, she gave me a special gift that I want to share with all of you: an ebook of Behind the Scenes: An Insider’s Guide to The Only Way Through Is Out which features five deleted scenes! Check it out here!

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